Studio Manassé

Atelier Manassé- Paris Plastique 1928 for The cover of Paris Plastique (art deco magazine)- #3, 1928

Atelier Manassé- Paris Plastique 1928 for The cover of Paris Plastique (art deco magazine)- #3, 1928

Atelier Manassé- Cover paris Studio,#2, 1930_

Atelier Manassé- Cover paris Studio,#2, 1930

Atelier Manassé-..In Plaisirs magazine 1932.

Atelier Manassé- Dangerous Passion, painting of Heroin addiction, published in Studio Manasse , paris Plaisir magazine, 1929 from the book Voluptuous Panic

Atelier Manassé- Déhbillage pour Pages Folles n°6, mars 1934

 

William Goldman

« Working Girls: An American Brothel Circa 1892 featuring unseen photographs of a 19th-century brothel by William I. Goldman. The exhibit debuts in conjunction with the release of a recently published book by art historian and curator Robert Flynn Johnson, titled Working Girls. The exhibition and book feature imaginative and artful photographs, which capture the artist’s deep appreciation and understanding for women who, circa 1892, lived and worked at an upscale brothel in Reading, PA.

The project began nearly 15 years ago when Johnson came across the bordello scenes at a vintage paper fair in Concord, Calif. Fascinated by the beautiful, Degas-like images, Johnson shared the shots with Serge and Tatiana Sorokko who went on to purchase a large portion of the collection. Over a decade later, Sorokko, a prominent art dealer, publisher and owner of Serge Sorokko Gallery in San Francisco, will showcase 25 photographs by Goldman, for which no negatives are known to exist, including 20 never-before-seen images and five images featured in Working Girls.

“Robert is a talented author, brilliant curator and a dear friend. When he reached out to me almost 15 years ago regarding these striking photographs of unnamed women, I knew immediately he must have come across something extraordinary. At the time, our knowledge about the pieces was minimal – what we saw were captivating, raw and provocative images that captured the authenticity of these women’s everyday lives,” recalled Sorokko. “After more than a decade of exhaustive research executed by Robert, it was then that we confirmed our earlier impression of the uniqueness and artistic and historical significance of the photographs. Providing glimpses of modernism and insights into the culture, sociology and fashion of the times, I am proud to debut them to the world at Serge Sorokko Gallery.”

As famed burlesque dancer and Working Girls contributing writer Dita Von Teese notes, “The local photographer and his anonymous muses appear to straddle an artful titillation, at times striving toward Degas nudes and at another, more in the spirit of a strip and tease. There is beauty in even the most mundane moments.” Von Teese, along with Professor Ruth Rosen and Dennita Sewell, are among three distinguished female authors enlisted by Johnson to provide insightful essays into the significance of these photos, which are of the same subject matter explored by artists like Degas, Lautrec, and Picasso in the 19th and 20th Centuries.

In addition to their evocative, sometimes ravishing nature, the photographs present insight into the era’s fashion often spotlighting stockings as seductresses’ accessories. The various fashion ensembles highlighted in these works help to further tell the stories of the women pictured.

Johnson commented, “These images were compelling individually but as a whole, they captured an unseen world of negotiated passion in American life, written about extensively but rarely, for good reason, documented visually. Multiple feelings of curiosity and excitement came over me after finally realizing the potential importance of these photographs. There was also a recognition that their acquisition carried responsibility to find out the story, which lay hidden behind those faces and figures from another era.”

With each image carrying a persona of its own, Johnson, curious to know more, began an investigation into their origin, authorship, and purpose and unearthed an impressive trove of information about more than two hundred vintage photographs of the Reading women. From inside the brothel, posing artistically for the camera, to their off-duty routines, the images portray the depth and diversity of the subject matters while offering a deeper understanding of the private world of the Reading brothel and the women who inhabited it ». source Juxtapose

 

From Working Girls by Robert Flynn Johnson, copyright © 2018, published by Glitterati Editions , 1892 by William Goldman

From Working Girls by Robert Flynn Johnson, copyright © 2018, published by Glitterati Editions , 1892 by  William Goldman

rom Working Girls by Robert Flynn Johnson, copyright © 2018, published by Glitterati Editions , 1892 by William Goldman

rom Working Girls by Robert Flynn Johnson, copyright © 2018, published by Glitterati Editions , 1892 by William Goldman

From Working Girls by Robert Flynn Johnson, copyright © 2018, published by Glitterati Editions , 1892 by William Goldman

From Working Girls by Robert Flynn Johnson, copyright © 2018, published by Glitterati Editions , 1892 by  William Goldman

 

From Working Girls by Robert Flynn Johnson, copyright © 2018, published by Glitterati Editions , 1892 by William Goldman

From Working Girls by Robert Flynn Johnson, copyright © 2018, published by Glitterati Editions , 1892 by  William Goldman

 

From Working Girls by Robert Flynn Johnson, copyright © 2018, published by Glitterati Editions , 1892 by William Goldman

From Working Girls by Robert Flynn Johnson, copyright © 2018, published by Glitterati Editions , 1892 by  William Goldman

From Working Girls by Robert Flynn Johnson, copyright © 2018, published by Glitterati Editions , 1892 by William Goldman

From Working Girls by Robert Flynn Johnson, copyright © 2018, published by Glitterati Editions , 1892 by  William Goldman

 

 

From Working Girls by Robert Flynn Johnson, copyright © 2018, published by Glitterati Editions , 1892 by  William Goldman

From Working Girls by Robert Flynn Johnson, copyright © 2018, published by Glitterati Editions , 1892 by  William Goldman

From Working Girls by Robert Flynn Johnson, copyright © 2018, published by Glitterati Editions , 1892 by William Goldman

Buy the book;Here & Here

 

F. Bertin- Nude woman in a cobweb, Paris, 1925

François Bertin- Nude woman in a cobweb, Paris, 1925 gelatine silver print From EroticPhotography by Alexandre Dupuy , 2011

Charles J Cook

 

Charles J. Cook- Nude, 1910

Charles J. Cook- Nude, 1910

Charles J. Cook- Nude, 1910

charles-j-cook-nude-c-1910

charles-j-cook-untitled-nude-c-1910

Charles J. Cook- Nude, 1910

Charles J. Cook- Nude, 1910

 

Charles J. Cook- Nude, 1927

Charles J. Cook- Nude, 1927

 

Charles J. Cook- Nude, 1920

Charles J. Cook- Nude, 1920

Charles J. Cook- Nude, 1910

Charles J. Cook- Nude, 1910

 

 

Charles J. Cook- Nude, 1928

Charles J. Cook- Nude, 1928

 

Charles J. Cook- Nude, 1910

Charles J. Cook- Nude, 1910

Charles J. Cook- Nude, 1927

Charles J. Cook- Nude, 1927

 

Charles J. Cook- Nude, 1930

Charles J. Cook- Nude, 1930

Albert Arthur Allen (for the Berkeley California) – From the portofolio The Sheik, 1929

 

Albert Arthur Allen (for the Berkeley California) -Portfolio of eight silver gelatin nude photographs titled The Sheik, each with plate number stamped on verso 1929

Albert Arthur Allen (for the Berkeley California) – From the portofolio The Sheik, 1929

Albert Arthur Allen (for the Berkeley California) – From the portofolio The Sheik, 1929

Albert Arthur Allen (for the Berkeley California) – From the portofolio The Sheik, 1929

Albert Arthur Allen (for the Berkeley California) -Portfolio of eight silver gelatin nude photographs titled The Sheik, . 1929

Albert Arthur Allen (for the Berkeley California) -Portfolio of eight silver gelatin nude photographs titled The Sheik, . 1929

Albert Arthur Allen (for the Berkeley California) -Portfolio of eight silver gelatin nude photographs titled The Sheik, . 1929

Albert Arthur Allen (for the Berkeley California) -Portfolio of eight silver gelatin nude photographs titled The Sheik, . 1929

Albert Arthur Allen (for the Berkeley California) -Portfolio of eight silver gelatin nude photographs titled The Sheik, . 1929

Albert Arthur Allen (for the Berkeley California) -Portfolio of eight silver gelatin nude photographs titled The Sheik, . 1929

Albert Arthur Allen (for the Berkeley California) -Portfolio of eight silver gelatin nude photographs titled The Sheik, . 1929

Albert Arthur Allen (for the Berkeley California) -Portfolio of eight silver gelatin nude photographs titled The Sheik, . 1929

Albert Arthur Allen (for the Berkeley California) -Portfolio of eight silver gelatin nude photographs titled The Sheik, . 1929

 

 

Carlo Mollino Polaroïds et posts travaux.

Ces Choix sont non exhaustifs, et ne représente qu’une partie de l’immense travail de Mollino. les sources sont le musé qui lui est dédié, ainsi que le livre Polaroïds de Fulvio Ferrari & Napoleone Ferrari aux Editons Arena.( photo à la fin)

 

Carlo Mollino- Photographs 1956  image courtesy museo casa mollino 9

Carlo Mollino- Photographs 1956 courtesy museo  mollino

Carlo Mollino- Photographs 1956-1962 image courtesy museo casa mollino

Carlo Mollino- Photographs 1956-1962  courtesy museo  mollino

Carlo Mollino- Photographs 1956-1962 image courtesy museo casa mollino

Carlo Mollino- Photographs 1956-1962  courtesy museo mollino

Carlo Mollino- Photographs 1950s image courtesy museo casa mollino

Carlo Mollino- Photographs 1950s courtesy museo  mollino

Carlo Mollino- Photographs 1956-1962  courtesy museo  mollino

Carlo Mollino- Photographs 1956-1962 image courtesy museo casa mollino 9

Carlo Mollino- Photographs 1956-1962 courtesy museo mollino

Carlo Mollino-Untitled 1956-1962

Carlo Mollino-Untitled 1956-1962

Carlo Mollino-Untitled 1956-1962

Carlo Mollino-Untitled 1956-1962

Carlo Mollino-Untitled 1956-1962

Carlo Mollino-Untitled 1956-1962

Carlo Mollino-Untitled 1956-1962

Carlo Mollino-Untitled 1956-1962

Carlo Mollino- Untitled,, 1956-1962, musea F. Alinari

Carlo Mollino- Untitled,, 1956-1962, musea F. Alinari

Carlo Mollino- Untitled, 1950–1960 ( source galerie salon94)

Carlo Mollino- Untitled, 1950–1960 ( source galerie salon94)

Carlo Mollino-Untitled 1956-1962

Carlo Mollino-Untitled 1956-1962

Carlo Mollino-Untitled 1956-1962

Carlo Mollino-Untitled 1956-1962

Carlo Mollino- A-C Minola House, 1970s

Carlo Mollino- A-C Minola House, 1970s

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled nude avec une Olivetti, 1960-63 courtesy museo mollino

Carlo Mollino-Untitled nude avec  une Olivetti polaroid-1960

Carlo Mollino-Untitled nude avec une Olivetti , 1960-63 courtesy museo  mollino

Carlo Mollino-Untitled polaroid-1963

Carlo Mollino-Untitled nude avec une Olivetti, 1960-63

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1963

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Portrait with the model, serie polaroid-1962

Carlo Mollino-Portrait with the model, serie polaroid-1962

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

carlo mollino, untitled polaroid, 1962-73 image courtesy museo casa mollino 1

Carlo Mollino- untitled polaroid, 1962-73

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid, Turin, ealy 1960s courtesy museo  mollino

Carlo Mollino-Untitled polaroid, Turin, ealy 1960s courtesy museo mollino

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73. courtesy museo mollino

Carlo Mollino-Self -Portrait polaroid-1962-73.

Carlo Mollino-Self -Portrait polaroid-1962-73. courtesy museo mollino

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73. courtesy museo mollino

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

IMG_2313

Carlo Mollino-Untitled polaroid-1962-73. courtesy museo mollino

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.courtesy museo mollino

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.courtesy museo mollino

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73 .

Carlo Mollino-Untitled polaroid-1962-73 .

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

Carlo Mollino-Untitled polaroid-1962-73.

the polaroid of carlo mollino is presented inside the metal tube for the expossition Mollino fragments, Triennale de Milan, 2005

the polaroid of carlo mollino is presented inside the metal tube for the expossition Mollino fragments, Triennale de Milan, 2005

the polaroid of carlo mollino is presented inside the metal tube for the expossition Mollino fragments, Triennale de Milan, 2005

the polaroid of carlo mollino is presented inside the metal tube for the expossition Mollino fragments, Triennale de Milan, 2005

the polaroid of carlo mollino is presented inside the metal tube for the expossition Mollino fragments, Triennale de Milan, 2005

the polaroid of carlo mollino is presented inside the metal tube for the expossition Mollino fragments, Triennale de Milan, 2005

the polaroid of carlo mollino is presented inside the metal tube for the expossition Mollino fragments, Triennale de Milan, 2005

the polaroid of carlo mollino is presented inside the metal tube for the expossition Mollino fragments, Triennale de Milan, 2005

the polaroid of carlo mollino is presented inside the metal tube for the expossition Mollino fragments, Triennale de Milan, 2005

the polaroid of carlo mollino is presented inside the metal tube for the expossition Mollino fragments, Triennale de Milan, 2005

the polaroid of carlo mollino is presented inside the metal tube for the expossition Mollino fragments, Triennale de Milan, 2005

the polaroid of carlo mollino is presented inside the metal tube for the expossition Mollino fragments, Triennale de Milan, 2005

IMG_1057

Erwin Blumenfeld, Self-Portrait in the Studio (9 rue Delambre), Paris, 1937

Erwin Blumenfeld, Self-Portrait in the Studio (9 rue Delambre), Paris, 1937

 

Heinrich Zille

Painter, Drawer and Photographer 1858-1929 Berlin

Pour ses peintures de nus des années 1900 à 1903, il a utilisé les studios d » August Gaule et d’ August Army.  Les photos de nus de Zille montrent ce qui se passe dans le studio entre les modèles et les étudiants dans leur travail.

Heinrich Zille-Rückenansicht ( vu de dos), Août 1901

Heinrich Zille- Aktstudie Beim Auskleiden im Atelier von, August Gaul, 1901

Heinrich Zille- Aktstudie Beim Auskleiden im Atelier von, August Gaul, 1901

Heinrich Zille- Dornauszieher- Pose, 1900s

Heinrich Zille- Dornauszieher- Pose, 1900s

Heinrich Zille- Kleiner Akt im Atelier, 1900s

Heinrich Zille- Kleiner Akt im Atelier, 1900s

Heinrich Zille -Aktstudie - Posierende Frau mit Tuch, 1901-03

Heinrich Zille -Aktstudie – Posierende Frau mit Tuch, 1901-03

Heinrich Zille - akt , 1899-1900

Heinrich Zille – akt , 1899-1900

Heinrich Zille-  - akt , 1899-1900

Heinrich Zille- – akt , 1899-1900

Heinrich Zille-Aktstudie probablement Rosa Meissner,1900s.

Heinrich Zille-Aktstudie probablement Rosa Meissner,1900s.

Heinrich Zille-Aktstudie probablement Rosa Meissner,1900s

Heinrich Zille-Aktstudie probablement Rosa Meissner,1900s

Heinrich Zille Abendakt in einem Maleratelier 1899-1900

Heinrich Zille Abendakt in einem Maleratelier 1899-1900

Heinrich Zille-  Künstlerkollegen und Ateliers, Aktstudie, 1900

Heinrich Zille- Künstlerkollegen und Ateliers, Aktstudie, 1900

Heinrich Zille- akt , 1905

Heinrich Zille- akt , 1905

Heinrich Zille- modelstudie, omstreeks 1900-03

Heinrich Zille- modelstudie, omstreeks 1900-03

Heinrich Zille Künstlerkollegen und Ateliers,Artistes et studios Compagnons, Heinrich Zille est le modèle Août Kraus pour le buste de Wedigo de Plotho1900

Heinrich Zille Künstlerkollegen und Ateliers,Artistes et studios Compagnons, Heinrich Zille est le modèle Août Kraus pour le buste de Wedigo de Plotho, 1900

Heinrich Zille Künstlerkollegen und Ateliers, Fritz Klimsch in seinem Atelier1900

Heinrich Zille Künstlerkollegen und Ateliers, Fritz Klimsch in seinem Atelier1900

 

Heinrich Zille und Winfried [Mitarb.] Ranke Photographien Berlin 1890 - 1910. Heinrich Zille ; Winfried Ranke.  Schirmer-Mosel Verlag, München, 1975

Heinrich Zille und Winfried [Mitarb.] Ranke Photographien Berlin 1890 – 1910. Heinrich Zille ; Winfried Ranke. Schirmer-Mosel Verlag, München, 1975

Elio Luxardo (1908-1969)

Elio Luxardo- Nudo, c. 1937

 

Elio Luxardo- Sinuose armonie (Sinuous harmonies) , 1936

« The history of the Luxardos began in the first years of the 20th century when the young photographer Aldo Luxardo decided to leave Pise (Pisa) and set his lens on far objects: America. Alfredo, with his wife Margherita, stopped at S. Paul in Brazil – country that will mark the destiny of the whole Luxardo family. His subject changed, from the American myth to the Amazonian tribes: group photos and portraits developed and printed in absolute empirical ways. In Brazil his three children were born: Elio, Elda and Aldo. In 1928 Alfredo Luxardo returned in Italy where he took over the photo studio Sam Bosch (Photographer of the Royal House) in via XX Settembre. Here began the history of the liaison Rome-Luxardo.The three children, Elio, who previusly joined the Experimental Center of Cinematography, Aldo and Elda worked in their father’s studio. It was the thirties and the famous studio in via del Tritone fixed some features that developped a following and signed a epoch. Diffuse lights, combined with reflexes, dark settings and light cuttings that carved faces and designed bodies. In few words the Myth of Beauty was born, the cult of the body. The studio was populated of divas and sports champions, intellectuals and artists, from Pirandello to Marinetti, from Assia Noris to Isa Miranda, from Valentina Cortese to Alida Valli, to the world champion Primo Carnera. In the postwar period there was a cooperation with the « Folie de Broadway » and than the beginning of the contest Miss Italia from which came celebrities like Loren and Lollobrigida. The Dolce Vita – the intense friendship with Federico Fellini – movies like « Poveri ma Belli » (« Poor but Beautiful »), actors like Mastrianni and Gassmann. These were the images of the sixties. The last dream of Elio Luxardo has been Sperlonga, where he retired to live. On the Mediterranean coast, the photographer looked for the lights and colors of the native country, but in vain. He died in 1969 at the age of 59. His brother Aldo continued to work alone in the family studio – that his sister Elda left marrying the producer Argento, father of the director, Dario. But the recall of the land of origin became stronger and stronger and, at the end, Aldo decided to go back to Brazil. » Luxario gallery

Elio Luxardo -Nudo femminile , 1932

Elio Luxardo -Nudo femminile , 1932

Elio Luxardo -Nudo femminile , 1932

Elio Luxardo -Nudo femminile , 1932

Elio Luxardo -Nudo femminile , 1932

Elio Luxardo -Nudo femminile , 1932

Elio Luxardo - Nudo femminile, 1940s

Elio Luxardo – Nudo femminile, 1940s

Elio Luxardo- Nudo, 1935

Elio Luxardo- Nudo, 1935

Elio Luxardo – Nudo femminile N.2 – 1935

 

Elio Luxardo-Nudo femminile N. 3 - 1935

Elio Luxardo-Nudo femminile N. 3 – 1935

Elio Luxardo-Nudo femminile N. 4 – 1935

Elio Luxardo - Nudo di donna, ca. 1930, Galleria Luxardo, Roma

Elio Luxardo – Nudo di donna, ca. 1930, Galleria Luxardo, Roma

Elio Luxardo- Nudo femminile, Roma, 1940

Elio Luxardo- Nudo femminile, Roma, 1940

Elio Luxardo- Nudo con drappo, 1937

Elio Luxardo- Sin titulo, c.1930~1950

Elio Luxardo- Sguardo in fiore, (Look in bloom) 1939

Elio Luxardo- Ritratto,c.1930~1950

Elio Luxardo- Ritratto, c.1930~1950

Elio Luxardo- Confessione nd

Elio Luxardo- Aria, 1941

Elio Luxardo- Silhouette, 1939-40

Elio Luxardo- Nudo femminile , 1940

Elio Luxardo- Nudo femminile , 1940

Elio Luxardo - nudo 1940s

Elio Luxardo – nudo 1940s

Elio Luxardo – Girandole di fuoco, (Laura Nucci), 1939

Elio Luxardo – Girandole di fuoco, (Laura Nucci), 1939

Elio Luxardo - Marisa Maresca, 1955

Elio Luxardo – Marisa Maresca, 1955

Elio Luxardo – Marina Maresca, 1955

Elio Luxardo - Portrait of the photographer Ghitta Carell, 1955

Elio Luxardo – Portrait of the photographer Ghitta Carell, 1955

Elio Luxardo Doris Duranti Luxardo Mazzota fotografia L’italica Bellezza Turroni (Giuseppe), 1960 Gabriele Mazzotta editore

Elio Luxardo Doris Duranti Luxardo Mazzota fotografia L’italica Bellezza Turroni (Giuseppe), 1960 Gabriele Mazzotta editore

Elio Luxardo- Isa Barzizza,from Luxardo Mazzota fotografia L’italica Bellezza Turroni (Giuseppe), 1960 Gabriele Mazzotta editore

Elio Luxardo- Isa Barzizza,from Luxardo Mazzota fotografia L’italica Bellezza Turroni (Giuseppe), 1960 Gabriele Mazzotta editore

Elio Luxardo Ritratto femminile 1950′s

Elio Luxardo Ritratto femminile 1950′s

Elio Luxardo- Doris Duranti,1940

Elio Luxardo- Doris Duranti,1940

Elio Luxardo- L'attrice Marisa Maresca,1955

Elio Luxardo- L’attrice Marisa Maresca,1955

Elio Luxardo - Isa Pola “La signora dell’Oves

Elio Luxardo – Isa Pola “La signora dell’Oves

Elio Luxardo -Germana Paolieri, 1937

Elio Luxardo -Germana Paolieri, 1937

Elio Luxardo- ritrato per conecorso, 1941

Elio Luxardo- ritrato per conecorso, 1941

Elio Luxardo- Giungla Luxardo Mazzota fotografia L’italica Bellezza Turroni (Giuseppe), 1960 Gabriele Mazzotta editore

Elio Luxardo- Giungla Luxardo Mazzota fotografia L’italica Bellezza Turroni (Giuseppe), 1960 Gabriele Mazzotta editore

Elio Luxardo - Pamela Palma' 1940

Elio Luxardo – Pamela Palma’ 1940

Elio Luxardo, Modella indossa un abito nero con paillettes fuma, Italia, 1948

Elio Luxardo, Modella indossa un abito nero con paillettes fuma, Italia, 1948

Elio Luxardo- L'Italia Bellezza, 1950

Elio Luxardo- L’Italia Bellezza, 1950

Elio Luxardo- Valentina Cortese, 1950

Elio Luxardo- Valentina Cortese, 1950

Elio Luxardo- Valentina Cortese, 1950

Elio Luxardo- Valentina Cortese, 1950

Elio Luxardo -Portrait of a lady, ca. 1940

Elio Luxardo -Portrait of a lady, ca. 1940

Elio Luxardo - Una soubrette , 1945

Elio Luxardo – Una soubrette , 1945

Elio Luxardo-Leda Gloria, 1940

Elio Luxardo-Leda Gloria, 1940

 

Elio Luxardo - Bellezza Italica, ca. 1930 Vintage gelatin silver print Galleria Luxardo, Roma

Elio Luxardo – Bellezza Italica, ca. 1930 Vintage gelatin silver print Galleria Luxardo, Roma

Elio Luxardo - Bellezza Italica, ca. 1930 Vintage gelatin silver print Galleria Luxardo, Roma

Elio Luxardo – Bellezza Italica, ca. 1930 Vintage gelatin silver print Galleria Luxardo, Roma

Elio Luxardo biographie

More gallery

 

 

Les sculptures d’ Aristide Maillol par Erwin Blumenfeld Éd°E. Tériade, Paris, VERVE N° 1, 1937& Brassaï (Gyula Halász)Éd°E. Tériade, Paris, VERVE N° 5-6, 1939

« Brassaï, pseudonyme de Gyula Halász, né le 9 septembre 1899 à Brașov (hongrois: Brassó – ville alors austro-hongroise et rattachée à la Roumanie depuis) et mort le 8 juillet 1984 à Nice (Alpes-Maritimes), était un photographe français d’origine hongroise, et aussi dessinateur, peintre, sculpteur et écrivain.

Gyula Halász a trois ans quand sa famille emménage à Paris où ils rejoignent le père qui enseigne la littérature à la Sorbonne. Jeune homme, Gyula Halász étudie la peinture et la sculpture à l’école des Beaux-Arts de Budapest avant de rejoindre la cavalerie austro-hongroise pour y servir durant la Première Guerre mondiale. En 1920 il se rend à Berlin où il y travaillera en tant que journaliste, tout en suivant les cours de l’académie des Beaux-Arts Berlin-Charlottenburg.

Halász déménage en 1924 pour Paris. Seul, il apprend le français en lisant les œuvres de Marcel Proust. Installé à Montparnasse, au cœur du Paris artistique des années 1920, il se lie à Henry Miller, Léon-Paul Fargue et Jacques Prévert.

Il reprend sa carrière de journaliste. Il écrivit plus tard que la photo l’avait aidé à saisir la nuit Parisienne, la beauté des rues et des jardins, qu’il pleuve ou qu’il vente. En utilisant son lieu de naissance, Gyula Halász se forge dès 1923 le pseudonyme de Brassaï qui signifie « de Brassó ». C’est sous ce nom qu’il s’impose comme celui qui a su capturer l’essence de la ville dans ses clichés, publiant un premier recueil en 1932 intitulé « Paris de nuit » qui reçoit un grand succès et le fera même surnommer « l’œil de Paris » par Miller dans l’un de ses essais.

En dehors de ses photos du Paris interlope et sombre, Brassaï s’est aussi intéressé à la haute société, aux intellectuels, à la danse et à l’opéra. Il photographia nombre d’entre ses contemporains, tels Salvador Dalí, Pablo Picasso, Henri Matisse, Alberto Giacometti et certains des écrivains majeurs de l’époque : Jean Genet, Henri Michaux. Une de ses photographies de la série des Graffiti sera utilisée en couverture du recueil de Jacques Prévert Paroles en 1946.

Ses photographies offrirent à Brassaï une célébrité internationale. En 1956, son film « Tant qu’il y aura des bêtes » gagne un prix à Cannes, puis en 1974, il est élevé au rang de Chevalier des Arts et des Lettres, avant de recevoir en 1976, la Légion d’honneur. Il gagne le premier « Grand Prix national de la photographie », deux ans plus tard, à Paris. Il est exposé aux Rencontres d’Arles, (France), lors des soirées de projection au Théâtre Antique, en 1970 pour “Brassaï” de Jean-Marie Drot,et en 1972 pour “Brassaï si, Vominino” de René Burri. Il est l’invité d’honneur des Rencontres en 1974. Une exposition et une soirée d’hommage lui y sont consacrées.

En plus de ses œuvres photographiques, Brassaï écrivit dix-sept livres et de nombreux articles, dont en particulier Histoire de Marie, publié avec une introduction de Henry Miller.

Brassaï est enterré au Cimetière du Montparnasse, à Paris « (Wilkipia)

 

 

Brassaï- sculpture Aristide Maillol, VERVE N° 1, 1937, ed° E. TÉRIADE, PARIS

Brassaï- sculpture Aristide Maillol, VERVE N° 1, 1937, ed° E. TÉRIADE, PARIS

Brassaï- sculpture Aristide Maillol, VERVE N° 1, 1937, ed° E. TÉRIADE, PARIS

Brassaï- sculpture Aristide Maillol, VERVE N° 1, 1937, ed° E. TÉRIADE, PARIS

Brassaï- sculpture Aristide Maillol, VERVE N° 1, 1937, ed° E. TÉRIADE, PARIS

Brassaï- sculpture Aristide Maillol, VERVE N° 1, 1937, ed° E. TÉRIADE, PARIS

Brassaï- sculpture Aristide Maillol, VERVE N° 1, 1937, ed° E. TÉRIADE, PARIS

Brassaï-L’Ile de France et Vénus au collier dans l’atelier de Maillol,1932

Brassaï – Groupe de statues dans l_atelier d_Aristide Maillol, Marly-le-Roi, vers 1936

 

George Maillard Kesslere (1894-1979)

 

George Maillard Kesslere- Maria Gambarelli et sa troupe, 1925

George Maillard Kesslere était un photographe et peintre américain. Diplômé de l’Université de Syracuse, Kesslere était l’un des derniers élèves du peintre impressionniste américain, William Merritt Chase. Après l’optention de son diplome, il a créé un studio ( surtout de portrait) à Syracuse,Etat de New York, où il a pratiqué la photographie et la peinture. Il a également collaboré à plusieurs projets muraux.

Bien que son travail de photographe ait gagné une reconnaissance immédiate pour son talent artistique, Kesslere ne put jamais gagner sa vie à ses debuts,car le prix des photogravure étant trop élevées. Donc, en 1921, The Debutante (La débutante), un périodique de New York peu cher, le convie à devenir éditeur d’art, Kesslere saute sur l’occasion, le déplacement à New York en Août 1921. Pour une brève période, il a maintenu les deux lieux de travail, mais son succès en tant que photographe à New York fit obturateur studio Syracuse en 1922.

La Débutante disparue, Il plublie un ensemble de portraits de Dorothy Dickson dans Vanity Fair qui cimente sa reputation comme un artiste photographe talentueux , ce qui lui a valu une clientèle de ville.Esthète, snob, bisexuels libertin, et le parti-donateur, il est devenu une figure importante dans la consolidation des liens culturels entre la communauté des arts et de la haute société homosexuels dans la période entre les deux guerres.

George Maillard Kesslere-Dorothy Dickson , November 1920

Remarquant la vogue dans les magazines culturels pour les photos floues de danseuses nues, Kesslere en 1923 a commencé à développer une série de peintures et pastels de filles nues drapées diaphonously fonctionnant à l’air libre. Ce genre arty de la peinture de pin-up a attiré l’attention de Broadway chair marchand, Earl Carroll qui a installé Kesslere comme son photographe officiel après la mort de John De Mirjian (voir article sur Lui ICI) en 1928. Les programmes pour « Vanités » série Carroll sélectionnée peintures et photos par Kesslere, et une appréciation effusive de son art par certains luminaire culturelle de la journée.

George Maillard Kesslere- Two nude with aveil in the wind,photo-painting 1924-25

George Maillard Kessler- Untitled, 1930 credited by in the date by 1000 nude, ed Taschen, 2005, but it seems to be from the same serie of the wind in 1924

George Maillard Kesslere-Early Morning 1924-30s

Dans le monde de la photographie théâtrale, la renommée de Kesslere reposait sur des représentations du corps, autant que ses traitements évocateurs et expérimentaux de la tête. Il était l’un des plus beaux des photographes de format de buste de la fin des années 1920 et 1930. Il excellait dans le traitement pictural de buste.Pour ses portraits, il a reçu la reconnaissance de l’Académie royale britannique de la photographie

Le 26 Mars 1935, Kesslere expose 500 de ses photographies, peintures, dessins, gravures et dans le salon de Ziegfeld Theater Patricia Loew. Le 1er Juillet 1947, une exposition itinérante du travail de Kesslere, «Stars d’hier et d’aujourd’hui, »fait le tour des Etats-Unis .

En 1952, Kesslere fait don de 6000 photographies et 500 tableaux à la Collection Théâtre de la New York Public Library. Malheureusement, l’atelier de Kesslere, a pris feu peu de temps avant le transfert des images, et la plupart des articles qui ont été enregistrés et transférés à la collecte NYPL souffrent de dégâts d’eau et une manipulation brutale. Texte de David S. Shields traduit par mes soins.

George Maillard. Kesslere- The Graces, posed by The Muller Dancers,pubished in Theatre Magazine, september 1923

George Maillard Kesslere Norma Talmadge ,1920-1925

George Maillard Kesslere-Norma Talmadge, 1924-27

George Maillard Kesslere Nude, Womanhood, 1925

George Maillard Kesslere Sultry Shirley 1922-25

George Maillard Kessler- Sultry Shirley in parshall (Série Earl Carrols Vanities), {Crop} 1931[source ebay]

Kesslere consacré son art photographique du portrait de théâtre et de la mode. Peintre de formation, il a poursuivi une carrière parallèle comme un bel artiste, excellant dans des tons pastels. De la première, il illustré l’approche-Hollywood lutte contre picturale, des photographes de Kansas City et les racloirs de New York négatifs. Il a rénové et modernisé le style de la photographie vignette fin du 19ème siècle . Le succès de ces portraits de médias mixtes conduit d’autres, comme Hal Phyfe , John De Mirjian , et même Irving Chidnoff , a expérimenter avec le style, conduisant à un moment en 1926-27 quand un style distinct de New York de l’art du portrait a prévalu. Même dans les années 1930 plus tard, quand un style rectiligne de représentation est devenu la norme, les images de Kesslere ont été si lourdement retouchées qu’ils semblaient graphique plutôt que photographique.

George Maillard Kesslere – Maria Gambarelli ( greatest dancer of the Metropolitan Opera ballet school, 1920s

George Maillard Kesslere- Portrait of Maria Gambarelli ( greatest dancer of the Metropolitan Opera ballet school, 1920s

George Maillard Kesslere- Jacqueline Logan

George Maillard Kesslere-Betty Blythe 1924

G MAILLIARD KESSLERE VIVIAN KEEFER SEMI NUDE 1920’S

George Maillard Kesslere – Maria Gambarelli ( greatest dancer of the Metropolitan Opera ballet school, 1922

George Maillard Kesslere – Maria Gambarelli ( greatest dancer of the Metropolitan Opera ballet school, 1922 ( ebay)

George Maillard Kesslere – Maria Gambarelli ( greatest dancer of the Metropolitan Opera ballet school, 1922

George Maillard Kesslere – Maria Gambarelli ( greatest dancer of the Metropolitan Opera ballet school, 1922

George Maillard Kesslere – Maria Gambarelli ( greatest dancer of the Metropolitan Opera ballet school, 1922

George Maillard Kesslere – Maria Gambarelli ( greatest dancer of the Metropolitan Opera ballet school, 1922

George Maillard Kesslere -Annette Margules, 1924

George Maillard Kesslere- Alice Burragen 1922-24

George Maillard Kesslere- Belle Bennett ( actress), 1920s

George Maillard Kesslere -Ethelind Terry, 1920s

George Maillard Kesslere-Betty Blythe 1924

George Maillard Kesslere- unknown model, 1924

George Maillard Kesslere-Dorothy Dickson , November 1920

George Maillard Kesslere -Marion Benda, 1920s

George Maillard Kesslere- Evangeline Raleigh ( miss Brodway, Sunny days), 1928

George Maillard Kesslere -Gloria Swanson, 1927

George Maillard Kesslere- silent Western star and speakeasy ownerunknown model, 1924, 1924-26

George Maillard Kesslere- unknown model, 1924

George Maillard Kesslere -The showgirl, dancer and actress Lota Cheek, 1924

George Maillard Kesslere -the showgirl dancer and actress Lota Cheek, 1924 police gazette COVER_

George Maillard Kessler- Womanhood, 1925

George Maillard Kesslere – The south wind, 1924

George Maillard Kesslere -Peggy Cornell, 1928

George Maillard Kesslere -Fowler and Tamara Dancers – Pierrot 1925 Magazine

George Maillard Kesslere -Gloria Swanson, For the magazine the Tatler 1927

George Maillard Kesslere -Gloria Swanson, 1927

George Maillard Kesslere -Gloria Swanson, 1927

George Maillard Kessler- Tallulah Bankhead, 1935

George Maillard Kesslere- Earl Carroll Vanities, 1921

George Maillard Kesslere- Earl Carroll Vanities, 1922

George Maillard Kesslere- Earl Carroll Vanities,

George Maillard Kesslere -Ruth Page and Adolph Bolm in Visions Fugitives, c1922_e

George Maillard Kesslère -Ruth Page in the Music Box Revue, 1922 and 1924 npgl

George Maillard Kesslère -Ruth Page in the Music Box Revue, 1922 and 1924 npgl

George Maillard Kesslère -Ruth Page in the Music Box Revue, 1922 and 1924

Horace Roye-Narberth (1906 – 2002 )

Horace Roye-Narberth  The « Welsh Maid » , 1942  The « Irish Maid » London , 1941, The « Scottish Maid » , 1941,The « English Maid »,1939 ed° G.Routledge & Sons

Horace Roye-Narberth, plus communément connu sous le nom d’artiste Roye, fut l’un des pionniers photographes britanniques du 20e siècle,  célèbre pour ses nus et des photos de starlettes et notamment pour celle ci Tomorrow’s crucifixion , d’un tout autre genre.

A partir de 1938, Roye produit une succession d’études sur le nu féminin.publiées sous forme de petits livrets  comme ceux  qui vous sont présentés aujourd’hui, véritable ôde à la beauté féminine et sa nudité.  The Welsh Maid, The Irish Maid , The Scottish MaidThe English MaidThe Irish Maid, qui ont tous trouvés une  extrême popularité, en particulier pendant la guerre. Ces photographies sont prises en bord de mer où à la campagne, pour chaque livret, les mises en scène sont les mêmes. La plage, sur la mer, dans un près, dans un verger, dans les rochers…

Ces livrets ne sont qu’un tout petit aspect de son large travail, reste à son actif bien plus de publications, et comme il aimait à le dire, Roye a vu passer plus 10.000 femmes nues à travers l’objectif.  Il a également  travaillé pour le cinéma . Il était ami et collaborateur avec Walter Bird  ( Voir l’article Ici) et John Everard ( Voir l’article Ici) , qui tout comme lui sont des grands noms de la photographie de nu des années 1930-1940. avec lesquels il a publié notament Eves without leaves . Ils ont crée en ensemble les editions LTD .

Pour la petite anecdocte,  Il a été poursuivi pour avoir refusé de passer de l’aérographe sur les poils pubiens d’une photo, mais  al a réussi à se défendre en justice et avaoir gain de cause, arguant que la représentation de la beauté ne doit pas être entravée par la pruderie.

Je ne vous présente pas toutes les planches de chaque livret mais une sélection, et je ne vous les présente pas non plus dans l’ordre d’apparition  (Les teintes de tirage varient selon le livret , je n’ai rien changé, même si le dernier tire beaucoup sur le jaune, et un peu trop à mon goût….) . vous pouvez retrouvez ces planches sur des sites d’enchères en tirage noir et blanc)

Horace Roye-Narberth – The Welsh Maid ,London , ed° G.Routledge & Sons ,  1942

Roye - -48 photographic Studies Welsh Maid,London , ed° G.Routledge & Sons , 1942

Roye – -48 photographic Studies Welsh Maid,London , ed° G.Routledge & Sons , 1942

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Roye - Nude from the book Welsh Maid, 1940

Roye – Nude from the book Welsh Maid, 1940

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye - Nude from the book Welsh Maid

Horace Roye – Nude from the book Welsh Maid

Horace Roye-Narberth – The Irish Maid. George Routledge & Sons,London.1941

Horace Roye- The Irish Maid,

Horace Roye- The Irish Maid,

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

the irish maid 12 - Copie

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the bookThe Irish Maid, (15)

Horace Roye- Nude from the bookThe Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- Nude from the book The Irish Maid

Horace Roye- The English Maid George Routledge & Sons,London, 1939

Horace Roye- The English Maid George Routledge & Sons,London.1939

Horace Roye- The English Maid George Routledge & Sons,London.1939 ( réedition 1941)

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939 (4)

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939

Horace Roye- Nude from the book The English Maid,1939