Desproges par Desproges
Emmy Sauerbeck le professeur, qui a beaucoup inspiré ses élèves – et bien sûr la danse – était une danseuse allemande Née en Allemagne, qui a grandi en Angleterre. Ellea dirigé la « School for Movement » à Berne de 1922 à 1974. Né à Londres en 1894, Emmy Sauerbeck a grandi avec deux frères et sœurs. Une représentation de la danseuse Maud Allan, à laquelle elle a assisté avec sa mère, l’avait déjà inspirée dans son enfance. Mais d’abord elle a pris des cours de violon en 1914 à Zurich et la musique sera pour elle un élément fondamental autour duquel elle créera ses chorégraphies . Après seulement un an, elle commence sa formation en danse parallèle au conservatoire de Zurich avec Rudolf von Laban et suit des cours avec Suzanne Perrottet et Katja Wulff.
La formation de Rudolf von Laban a marqué son travail pédagogique: « Rudolf von Laban est le grand innovateur de la danse de notre temps, il a découvert, formulé et rendu fécond pour la danse des lois de l’harmonie et de la mélodie, de sorte que la danse soit au même niveau de développement que la musique en tant qu’art indépendant qui peuvent se confondre les uns avec les autres sans en devenir pour autant dépendant.
Ursula Aeberhard, assistante de longue date d’Emmy Sauerbeck et directrice actuelle de « School for Movement » à Berne, décrit le style de Sauerbeck comme suit: « En plus des balançoires, du suspense – de la détente, de l’impulsion, Emmy Sauerbeck a développé son propre style de danse, qui est extrêmement subtil et différencié. Ses danses étaient souvent basées sur la dynamique et les agogiques de la musique, » L’intérêt intense de Emmy Sauerbeck pour la musique la caractérisait, créant ainsi des danses au son de la musique moderne, des danses uniquement à la batterie, des danses absolues sans accompagnement. Elle choisissait sa musique très soigneusement, et se consacrait entièrement à son service. Nous étions toujours encouragés à accorder un respect inconditionnel à la musique électronique. Emmy Sauerbeck a donné à nos étudiants quelque chose que nous ne pouvions trouver nulle part ailleurs, elle-même le savait très bien. Cela nous a fourni une base sur laquelle nous pourrions, à notre guise ou pourrons, être en mesure de découvrir ou de construire quelque chose de nouveau. »
Emmy Sauerbeck in Siamesischer Tanz, 1929
Emmy Sauerbeck in Siamesischer Tanz, 1929
Emmy Sauerbeck in Petrushka Sample photo in costumes in the studio, circa January 1925. Photo by Franz Henn in an unidentified dance in 1929.
Emmy Sauerbeck in an unidentified dance in 1929.
Born Ottilie Godeffroy, the daughter of the Austrian chemist Richard Godeffroy (1847–1895), she trained as an actress in Vienna, her native town, and gave her debut at the Moravian Theatre in Olmütz (Olomouc) in 1901/02.
The next season she got an engagement in Breslau (Wrocław). From 1903 she worked with Max Reinhardt at the Deutsches Theater in Berlin and with a group of expressionist artists around Kurt Hiller and Jakob van Hoddis.
In 1911 Durieux entered the stage of the Lessing Theater where, on November 1, 1913, she became the second actress to perform the role Eliza Doolittle in a German language production of George Bernard Shaw’s play Pygmalion, half a year before its English premiere on April 11, 1914. From 1915 she performed at the Royal Schauspielhaus Berlin.[ In 1904, Durieux married the Berlin Secession painter Eugen Spiro, and after their divorce, she remarried in 1910 the successful art dealer and editor Paul Cassirer, who committed suicide in a room next to the court room that pronounced their divorce. Soon after, Durieux married general director Ludwig Katzenellenbogen. In 1927 they were the main financiers of Erwin Piscator’s Neues Schauspielhaus project. Durieux was a public character of 1920s Berlin and associated with numerous celebrities like the famous photographer Frieda Riess.
In 1933, Durieux and her husband left Germany for Switzerland to escape Nazi rule. She continued to perform at the Vienna Theater in der Josefstadt and in Prague.
In 1937 she moved to Zagreb, Croatia (then in the Kingdom of Yugoslavia) where she became a member of the International Red Aid. Durieux unsuccessfully tried to obtain visa for the United States; in 1941 Ludwig Katzenellenbogen was arrested by Gestapo agents in Thessaloniki and deported to Sachsenhausen concentration camp, where he was killed in 1944.
Durieux returned to West Germany in 1952, appearing on stages in Berlin, Hamburg and Münster.
Franz von Stuck (or Mary von Stuck) showing Tilla Durieux in the role of Circe. 1912 The photo served as a model for the painting Tilla Durieux as Circe by Franz von Stuck
Franz von Stuck (or Mary von Stuck) showing Tilla Durieux in the role of Circe. 1912 The photo served as a model for the painting Tilla Durieux as Circe by Franz von Stuck
Tilla Durieux as Circe by Franz von Stuck
Tilla Durieux als Cleopatra im Münchener Künstlertheater von 1913 by Isidore Hirsch München
Portrait of the actress Tilla Durieux by Isidor Hirsch, 1908
Tilla Durieux-as Anna Countess Werdenfels in The Marquis of Keith 192s Picture by arelier Becker & Maaß
Tilla Durieux-as Anna Countess Werdenfels in The Marquis of Keith 192s Picture by arelier Becker & Maaß
Tilla Durieux-as Anna Countess Werdenfels in The Marquis of Keith 192s Picture by arelier Becker & Maaß
Tilla Durieux-as Anna Countess Werdenfels in The Marquis of Keith 1920s Picture by arelier Becker & Maaß
Tilla Durieux-as Anna Countess Werdenfels in The Marquis of Keith 192s Picture by arelier Becker & Maaß
Tilla Durieux-as Anna Countess Werdenfels in The Marquis of Keith 192s Picture by arelier Becker & Maaß
Tilla Durieux-as Potiphar’s wife in the ballet Josefslegende in Berlin 1921 Picture by arelier Becker & Maaß
Tilla Durieux-as Potiphar’s wife in the ballet Josefslegende in Berlin 1921 Picture by arelier Becker & Maaß
Tilla Durieux, German actress. Photography.1914. Photo by Imagno
Tilla Durieux in her home by V.H.Leiser, Berlin, 1910s
Tilla Durieux Photo by Isidor Hirsch, 1910s
Tilla Durieux 1905 Foto Jacob Hilsdorf
Tilla Durieux-1910 Picture by arelier Becker & Maaß
Tilla Durieux-1910 Picture by arelier Becker & Maaß
Tilla Durieux- in ‘Josephs legende’, 1921 Picture by arelier Becker & Maaß
Tilla Durieux as Hebbel, Judith, 1910 postcard, Picture by arelier Becker
Tilla Durieux as ‘Delila’ in the play ‘Simson’ by Frank Wedekind, 1914, Picture by Becker & Maaß
Tilla Durieux as ‘Delila’ in the play ‘Simson’ by Frank Wedekind, 1914, Picture by Becker & Maaß
Tilla Durieux William Shakespeare, Sommernachtstraum Tilla Durieux als Oberon- vermutl. 1905 Photo by ullstein bild
Tilla Durieux in « Grosse Liebe » bt Heinrich Mann photo by Berker and Maaß,1913
Cartes Postales Surréalistes – Série complète des 21 cartes postales de Paul Eluard, Dora Maar, Joan Miró, Salvador Dali, Hans Bellmer, Georges Hugnet, Meret Oppenheim, René Magritte, Jacqueline Breton, Pablo Picasso, Man Ray, Roland Penrose, Yves Tanguy, Marcel Duchamp, Arp, Marcel Jean, Wolgang Paalen, André Breton, Nusch Eluard, Oscar Dominguez, Max Ernst, publiées par Geoges Hugnet en 1937 avec au verso porte l’inscription « La carte postale surréaliste garantie
Oscar Dominguez Ouverture
Wolfgang Paalen A l’échelle du désir
Man Ray : Ce qui nous manque à tous
Salvatore Dali La mélancolie gâteuse des chiens comme une vertigineuse descente en ski
Roland Penrose La Terre en bouteille
René Magritte La solution du rébus
Paul Eluard On tue comme on respire
Pablo Picasso Poisson d’Avril
Meret Oppenheim Ma Gouvernante
Max Ernst Le triomphe de l’Amour
Marcel Duchamp Ampoule contenant 50 cc d’air de Paris
Joan Miro Horaire
Jacqueline Breton Pont du demi-sommeil
Nusch Eluard Bois des Iles
Hans Bellmer Deux demi-soeurs
Hans Arp Côté à ouvrir
Georges Hugnet Au pied de la lettre
Dora Maar : 29, rue d’Astorg
Marcel Jean Paris à vol d’oiseau
André Breton Poème-objet
LA CARTE SURREALISTE, 1937 Série complète de 21 cartes postales éditée
par
Georges Hugnet, imprimée sur fond blanc,
double légende en français et en anglais
Marcel Duchamp : Ampoule contenant 50 cc
d’air de Paris
André Breton : Poème-objet
Max Ernst : Le triomphe de l’Amour
Paul Eluard : On tue comme on respire
Dora Maar : 29, rue d’Astorg
Joan Miro : Horaire
Salvatore Dali : La mélancolie gâteuse des
chiens comme une vertigineuse descente en
ski
Man Ray : Ce qui nous manque à tous
Hans Bellmer : Deux demi-soeurs
Oscar Dominguez : Ouverture
Yves Tanguy : Le marchand de sable
Georges Hugnet : Au pied de la lettre
Hans Arp : Côté à ouvrir
Meret Oppenheim : Ma Gouvernante
René Magritte : La solution du rébus
Jacqueline Breton : Pont du demi-sommeil
Roland Penrose : La Terre en bouteille
Marcel Jean : Paris à vol d’oiseau
Wolfgang Paalen : A l’échelle du désir
Nusch Eluard : Bois des Iles
Pablo Picasso : Poisson d’Avril
Alexander ‘Sasha’ Stewart, born 1892 in Edinburgh, moved to London and launched his professional photography career in 1914. In 1920, Sasha opened his first London studio in Bloomsbury. A technical virtuoso and popular amongst the upper class, the photographer’s theatrical and society portraits were frequently seen in sophisticated journals such as The Tatler, The Sketch and Illustrated London News.
As brilliant as he was charming, Sasha was known for his inventions and studio innovations, none more so than the Sashalite. Produced by General Electric with key input from the photographer, the Sashalite debuted in 1930 and was the first commercial flashbulb available in the UK. Sasha used the powerful light generated by the bulbs to capture his trendsetting and signature dramatic shadows and frozen motion.
Esme Fitzgibbon British actress in costume as Madeline for a stage production of ‘The Ratby sasha.1924
The English ballerina Dame Margot Fonteyn (Margaret Hookham) (1919 – 1991) holding a mask by sasha. 1920-30
A Norman Hartnell evening gown. by sasha. 1920-30
The Australian beauty Dorothy Blanchard, who has just left London to join the Ziegfeld Follies, reclining on a sumptuous bed. by sasha. 1925
The English actress Hermione Baddeley (1906 – 1986).. by sasha. 19220-30
Alice Joyce (1890 – 1955) in London to play the lead in a film, ‘The Passionate Adventure’. by sasha.1925
A woman wearing a fashionable hat decorated with leaf motifs by Peron. by sasha. 1925
A woman wearing a cloche hat decorated with flowers by sasha.1925-30
A unknown model wearing a Paquin feathered headdress. by sasha.1920-25
A woman wearing a fashionable woven hat decorated with jewellery by Peron. by sasha. 1925
A woman wearing a jewelled headdress designed by Paquin by sasha.1924
advertissement for A Schiaparelli hat by sasha. 1930s
An actress appearing in the play ‘Libel’ at the Playhouse theatre. . by sasha.1934
Portrait if the Dancer Kyra Alanova. . by sasha.1929
Show ring rider Mrs Sam Marsh wearing a top hat and a veil over her face. . by sasha.1920
The English actress Vivien Leigh (1913 – 1967). Original Publication in People Disc by sasha.Nd
Frances Day (1907 – 1984) in ‘Floodlight’.by sasha.1925
American authoress Anita Loos, who wrote ‘Gentleman Prefer Blondes’.. by sasha. nd
British actress Dorothy Seacombe by sasha. 1926
Lady Castlerosse modelling the medieval-style costume and wimple she will wear to the Galaxy Ball Pageant, held at London’s Park Lane Hotel. by sasha.1929
The American dancer, Ardath de Sales in costume for ‘Mercenary’, a show at London’s Hippodrome Theatre. by sasha. 1925
Entertainer Elsa McFarlane stands on the bonnet of a Rolls Royce car, mimicking the Silver Lady figurine, in a production of ‘The Co-Optimists’, at the Vaudeville Theatre in Londonby sasha. 1929
Dancer Muriel Gaunt by sasha. 1939
The Australian dancer Dorothy Blanchard, who has just left London to join the Ziegfeld Follies, sitting by the fireplace by sasha. 1925
The Film actress Marjory Brooks. by sasha.1927
Cecily Byrne as Lydia Webster in the Lyric Theatre’s production of ‘Baby Cyclone’. by sasha.1928
Catherine Lacy as Ricciada in the first production of ‘Night’s Candles’, at the Queen Theatre. by sasha.1933
The Glamorous Australian dancer Dorothy Blanchard smoking a cigarette. by sasha.1925
Kyra Nijinsky (1913 – 1998), daughter of the famous Russian dancer and one of the principals of ‘Cochran’s Streamline Revue’ at the Palace Theatre, London.. by sasha.1930s
Chorus girls in Felix Ferry’s Monte Carlo Follies are performing in London at Grosvenor House.. by sasha. 1930s
The Dancer Laura Devine performing a shadow dance during a production of C B Cochran’s show ‘This Year of Grace’ at the London Pavilion. by sasha.1928
A dancer dancing in a British National Opera Company production at His Majesty’s Theatre, London by sasha. 1924
Stanislawa Welska performs an exotic dance which produces a dramatic shadow. by sasha. 19330s
A dancer cowering from a shadowed pair of hands looming over her on stage. by sasha. 1930
The Singer and dancer Bunty Pain, one of Cecil B Cochran’s chorus girls, wearing a diaphanous dress. by sasha. 1929
Tilly Losch (1904 – 1974) dancing in an extravagant costume, in a scene from the show `Wake Up And Dream’. by sasha.1929
The Dancer and actress Tilly Losch (1904 – 1974), one of the principals in ‘Streamline Revue. by sasha.1934
Tilly Losch and Tony Birkmayr in ‘Wake Up And Dream’ at the London Pavilion Theatre. by sasha.1929
Austrian dancer Tilly Losch and Roman Jasinsky dancing in a production of the ballet ‘Errante’ at the Savoy Theatre, London, with choreography by George Balanchine, and costumes by Paul Tchelitchev sasha. 19230s
A couple dancing the Charleston in a scene from the play ‘Just A Kiss’ at the Shaftesbury Theatre, London. by sasha.Nd
dancer and choreographer Serge Lifar and classical Russian ballerina Alice Nikitina performing the Russian ballet La Chatte (‘The Cat) Music H .Saguet, choreography G. Balanchine, designs Gabo and Pevsner. by sasha.1927
Nini Theilade, Indonesian ballet dancer, adopting a ballet pose for a studio portrait by sasha. 1933
Musical comedy actress Jessie Matthews (1907 – 1981) poses in a swimsuit. by sasha.1931
The Russian ballet dancer Alexandra Danilova (1904 – 1997) dancing in a Diaghilev production of ‘Swan Lake’ by sasha.1926
The Actress Binnie Hale dancing in the musical comedy, ‘Mr Cinders’, at the Adelphi Theatre, London by sasha. 1929
Dancing nymphs, in a scene from the play ‘Comus’ at the Open Air Theatre, Regents Park, London by sasha.1934
Members of the Margaret Morris dance troupe dancing out-of-door in accordance with the Margaret Morris Movement (MMM) interpretation of dance.. by sasha.1927
Tap dancers in ‘Voila Les Dames’ at the Prince of Wales Theatre. London hold hearts in front of them as they dance by sasha.1935
British actress Jessie Matthews (1907 – 1981) wearing a headdress decorated with ostrich feathers for her appearance in Charles B Cochran’s musical spectacular ‘Ever Green’ at the Adelphi Theatre, London. by sasha.1930
Binnie Hale surrounded by a huge plume of feathers in the show, `Mr Cinders’’. by sasha.1929
An unusual view of the ‘Albertina Rasch Girls’ who appear in the show, ‘Wild Violets’ at the Drury Lane Theatre, London by sasha.1933
The Albertina Rasch chorus girls who are appearing in ‘Wild Violets.by sasha.1933
The Albertina Rasch Girls who appear in the show ‘Wild Violets’. From top to bottom Inga Anderson, Nosie Dale and Vida McLain..by sasha.1932
The English ballet dancer Leslie Burrows performing a dance entitled ‘Fear’. by sasha.1934
A woman standing on a beach. by sasha.1930
A couple kissing in a scene from the play ‘Just A Kiss’ at the Shaftesbury Theatre, London. by sasha. 1926
American dancers Estelle & Leroy, in action at the Savoy Hotel, London. by sasha. 1934
Composer and actor Ivor Novello (1892 – 1951) with just his face seen peering through a spy hole in a door by sasha. 1928
The English ballerina Dame Margot Fonteyn (Margaret Hookham) (1919 – 1991) holding a mask by sasha. 1920-30
A close-up of the hands of Jessie Matthews (1907 – 1981), dancer and film-star. by sasha.1930
Chorus girls singing on stage, whilst wearing eye masks by sasha.1930
A group in a model boat in a scene from the show ‘Peggy Ann’, at the Dalys Theatre by sasha.1927
English actress and dancer Phyllis Monkman (1892 – 1976) with Welsh composer and actor Ivor Novello (1893 – 1951) in ‘Downhill’ at the Queens Theatre. by sasha.1926
Noel Coward (1899 – 1973) and Gertrude Lawrence (1898 – 1952) in ‘Private Lives’ at the Phoenix theatre by sasha.Nd
Santa Proud Fashions by sasha.1930s
Ruby Stewart, currently appearing in a musical at the Gaiety Theatre, London by sasha.1937
Stage and screen actress Joyce Bland (1906-1963), who is currently playing the lead role in ‘Mary Bloome’ at the Embassy Theatre. by sasha.1931
Stage and screen actress Joyce Bland (1906-1963), who is currently playing the lead role in ‘Mary Bloome’ at the Embassy Theatre. by sasha.1931
Benedykt Jerzy Dorys est principalement connu en tant que très grand portraitiste (photographique). Son studio, basé à Varsovie était, déjà avant la guerre, un lieu des plus tendance pour ne pas dire « branché » de la Ville de Varsovie et se faire photographier par Dorys n’était pas seulement de bon goût, mais révélait un signe d’appartenance à la crème de la crème de l’époque. Cependant, Dorys n’était pas uniquement focalisé sur les élites. En effet ses photographies des pauvres de Kazimierz Dolny dans les années 1930 sont aussi connues et ont tout autant marquées l’histoire de la photographie polonaise.
Moins connues, mais tout aussi intéressantes sont ses photos de mode et ses quelques photos artistiques du corps nu. Dorys adorait les femmes et a su en sublimer toute les beauté et ce que je vous propose aujourd’hui à travers des portraits ‘( sérés ou de plein pied), et par ses photographies de modes .
Mais Dorys a bien entendu photographié bon nombres d’hommes, mais vous connaissez mon goût pour La femme , le nu ou l’érotisme.
Vous pouvez retrouver quelques nus dans un précédent post Ici
Jerzy Dorys Benedykt – Portrait of Zofia Batycka, Miss Poland, 1930
Jerzy Dorys Benedykt – Portrait of Zofii Batyckiej, 1930
Jerzy Dorys Benedykt – Portrait of Zofii Batyckiej, 1930
Jerzy Dorys Benedykt – Portrait of Zofia Batycka, Miss Poland, 1930
Dorys Jerzy Benedykt -Portrait of Sophia Batycka, 1930s
Jerzy Dorys Benedykt – Portrait of Zofii Batyckiej, 1930
Jerzy Dorys Benedykt – Portrait ofNiny Grudzińskiej, 1932
Jerzy Dorys Benedykt – portrait de Karoliny Lubieńskiej, 1932
![Jerzy Dorys Benedykt Loda Halama w tanecznej pozie], 1932 (2)](https://lapetiitemelancolie.files.wordpress.com/2015/06/jerzy-dorys-benedykt-loda-halama-w-tanecznej-pozie-1932-2.jpg)
Jerzy Dorys Benedykt Loda Halama w tanecznej pozie, 1932
Jerzy Dorys Benedykt- Portrait of a man in scarf and coat with the collar , 1933 gif by Bill Domonkos is a visual artist and filmmaker.
Jerzy Dorys Benedykt – Portrait ofOlgi Kamieńskiej, 1930
Jerzy Dorys Benedykt- Portret Marii Gorczyńskiej z flakonikiem perfum „Amour amour” firmy Jean Patout, 1930 gif by Bill Domonkos is a visual artist and filmmaker.
Jerzy Dorys Benedykt -Marii Malickiej, 1930.
Jerzy Dorys Benedykt – Portrait of Marii Gorczyńskiej, 1931
Jerzy Dorys Benedykt -Halina Hulanicka dansant Halina Hulanicka dancing, 1930
Jerzy Dorys Benedykt -Anthony Nellé dance, 1933
Jerzy Dorys Benedykt -autoportret, 1930
