Studio Manassé

Atelier Manassé- Paris Plastique 1928 for The cover of Paris Plastique (art deco magazine)- #3, 1928

Atelier Manassé- Paris Plastique 1928 for The cover of Paris Plastique (art deco magazine)- #3, 1928

Atelier Manassé- Cover paris Studio,#2, 1930_

Atelier Manassé- Cover paris Studio,#2, 1930

Atelier Manassé-..In Plaisirs magazine 1932.

Atelier Manassé- Dangerous Passion, painting of Heroin addiction, published in Studio Manasse , paris Plaisir magazine, 1929 from the book Voluptuous Panic

Atelier Manassé- Déhbillage pour Pages Folles n°6, mars 1934

 

Edwin Bower Hesser (1893-1962) Magazines et études de nus

De 1923  jusqu’au milieu des années 1930, Edwin Bower Hesser, [éminent photographe qui a travaillé à New York et Los Angeles pendant l’âge d’or d’Hollywood et mis au point son propre système de photographie couleur appelée Hessercolor] a édité et produit  des photographies pour 7  Magazines d’Art conçus et pensés  pour aider Les étudiants  en Art ( sous toutes ses formes) et notamment ceux de l’ Art Institute of Chicago , par lequel il est passé, autour de la question du nu et des formes du corps humain  « the Hesser Arts Monthly « Art classic », « Art Studies » , « Camera Art », « Classic Art », « Real Art studies », « Screen art studies », « Studio art studies ». Hesser aimait les parcs , les plages, il aimait le plein air , il aimait les filles nues, et il aimait l’art et cela se trouve dans toutes ses photographies , même celles de portraits de stars du cinéma).

Edwin Bower Hesser-for Daw Physiology, Eugenics, Art &Love, 1928

Edwin Bower Hesser-Facing the East. for Daw Physiology, Eugenics, Art &; Love, 1928

Edwin Bower Hesser-Fruit for Daw Physiology, Eugenics, Art & Love, 1928

Edwin Bower Hesser-Rejuvenation for Daw Physiology, Eugenics, Art &; Love, 1928

Edwin Bower Hesser-Spoils of the Sea for Daw Physiology, Eugenics, Art &Love, 1928

Edwin Bower Hesser-The Sea for Daw Physiology, Eugenics, Art &; Love, 1928

Edwin Bower Hesser-Thoughts in Solitude. for Daw Physiology, Eugenics, Art & Love, 1928

Edwin Bower Hesser- The Enchanted Forest for Daw Physiology, Eugenics, Art &Love, 1928

Edwin Bower Hesser- Sunlight & Shadow. for Daw Physiology, Eugenics, Art &; Love, 1928

Edwin Bower Hesser-Anatomical Study for Daw Physiology, Eugenics, Art & Love, 1928

Edwin Bower Hesser-Curse of India for Daw Physiology, Eugenics, Art & Love, 1928

Edwin Bower Hesser-Hesser-Maid of Araby for Daw Physiology, Eugenics, Art & Love, 1928

Edwin Bower Hesser-Julie De Valeria for Daw Physiology, Eugenics, Art & Love, 1928

Edwin Bower Hesser-Palm Beach for Daw Physiology, Eugenics, Art & Love, 1928

Edwin Bower Hesser-Pensively Pretty. for Daw Physiology, Eugenics, Art &Love, 1928

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Edward Bower Hesser- Nude Study , Gri.. park, La, 1922 Arts (Monthly Pictorial)

Edward Bower Hesser- Nude Study , Gri.. park, La, 1922 Arts (Monthly Pictorial) – The magazine of Pictures for Artists ans Art Students founded and edited in 1922 by Edward Bower Hesser

Edward Bower Hesser- Nude Study , Gri.. park, La, 1922 Arts (Monthly Pictorial) – The magazine of Pictures for Artists ans Art Students founded and edited in 1922 by Edward Bower Hesser

Edward Bower Hesser- Nude Study , Gri.. park, La, 1922 Arts (Monthly Pictorial) – The magazine of Pictures for Artists ans Art Students founded and edited in 1922 by Edward Bower Hesser

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Edwin Bower Hesser – Artist’s notebook , 1931

Edwin Bower Hesser –two plates from Atrist’s NoteBook, 1930

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Edward Bower Hesser -Mercy Robbins, with mask of W.T. Benda, 1920 sart-studies-magazine-january-1926

Edwin Bower Hesser- The Toe Dancer, Frances Mildern, 1926 art-studies-magazine-january-1926

Edward Bower-Mignon Laird Night Club Star, 1926 art-studies-magazine-january-1926

il est indéniable qu’ Edwin Bower Hesser fût très inspiré par Les photographies faites autour d’Isadora Duncan et ses danseurs ( mouvement de la danse grecque)  aux modèles  en plein air, ( plage, parc, bois) nus ou avec de légers voiles. Il existait à cette époque une très forte croyance en les idéaux du mouvement de culture physique, du corps parfait  , de la beauté corporelle, de l hygiène et de la sexualité expressive qui émanait du corps. Isadora Duncan, tout comme Ted Shawn, Annette Kellerman, Margaret Edwards, ou Douglas Fairbanks en étaient les portes paroles, avec cette volonté  de montrer au  public ce à quoi ressemblerait la splendeur de ce qu’ils nommaient le « Temple de Dieu, » le physique humain.Heisser s’accrochant à se mouvement en est devenu ce qu’on pourrait qualifié de  » fanatique », espérant proposer un modèle parfait de la « future race humaine » ( propos quelque peu discutables et emprunt d’un certain eugénisme, ce qui lui fût reproché….). Ceci dit, On ne peut pas lui enlever le fait qu’il a su mettre en scène une harmonie entre formes humaines et formes de la nature.

Edward Bower Hesser – Jean Harlow, 1929

 

Edward Bower Hesser – Jean Harlow, 1930s

Edward Bower Hesser – Jean Harlow, 1930s

Edward Bower Hesser – Jean Harlow, 1930s

Edwin Bower Hesser Jean Harlow, Griffith Park, 1929

Edward Bower- Studies in Type of Body,1926,

Edward Bower Hesser- Nude Study , Gri.. park, La, 1922

Edwin Bower Hesser- Female Nude, 1929

Edwin Bower Hesser- Female Nude-, 1929

Edwin Bower Hesser- Female Nude at Griffith Park L.A, 1920s

Edwin Bower Hesser- Flapper in Pool, 1920

Edwin Bower Hesser – nude in lake , 1920

Edwin Bower Hesser- nude in lake , 1920

Edwin Bower Hesser – nude in lake , 1920

Edwin Bower Hesser – The Lady of the rocks , a Study in consrasts Magazine Theatre october, 1922

Edwin Bower Hesser- nude CALIFORNIA COAST , 1920

Edwin Bower Hesser- Nude at Griffith Park L.A, 1920s

Edwin Bower Hesser- Nude study outdoor , 1920s

Edwin Bower Hesser- Nymph, 1922

Edwin Bower Hesser- The Three Graces,Norma Talmadge Marion Davies Irene Castles 1925

Edwin Bower Hesser- Nude study , 1930

Edwin Bower Hesser Marjorie Leet in Garden of Girls November,1925

Edwin Bower Hesser- Nude, 1920s

Edwin Bower Hesser bessie love 1919

Edwin Bower Hesser Bessie Love in Garden of Girls 1920’s

Source ici et Ebay où vous pouvez trouvez des clichés peu cher, et parfois ses magazines.

 

 

 

Braig- Nu, for Paris Magazine , May 1935

Braig - Etude de nu, Paris Magazine, May 1935

Braig – Etude de nu, Paris Magazine, May 1935

Braig - Etude de nu, Paris Magazine, May 1935

Braig – Etude de nu, Paris Magazine, May 1935

Braig- Nu, for Paris Magazine , May 1935

Braig - Etude de nu, Paris Magazine, May 1935

Braig – Etude de nu, Paris Magazine, May 1935

Maurice Goldberg- Dancers

Maurice Goldberg- A Study in the Classic , posed by the Morgan Dancers pubished in Theatre Magazine, September 1923

Maurice Goldberg- Study in Dance Movement, Posed By the dancer, Lena Basquette pubished in Theatre Magazine, september 1923

Maurice Goldberg -Marguerite Agniel,1923

Maurice Goldberg—The Marmein dancers in Odalisques, 1920s

Maurice Goldberg – portrait of Russian dancer Vera Fokina as Salome, Vanity Fair 1920

Maurice Goldberg -Dorothy Lee, 1920

Maurice Goldberg -The dancer Desha in Fokine ballet

Maurice Goldberg -The dancer Ruth Page 1920

Maurice Golberg- Ryllis Barnes Simpson aka Hasoutra, ( Hindu dancer) posing as the snake woman, New York, 1926

F. Bertin- Melle Edith Bernard au Palace, Paris, for Paris Plaisir April 1925, issue 34

F. Bertin- Melle Edith Bernard au Palace, Paris, for Paris Plaisir April 1925, issue 34

F. Bertin- Melle Edith Bernard au Palace, Paris, for Paris Plaisir April 1925, issue 34

 

 

Fred Swartz- Fred Swartz Figure #1, Greenwich Village Nudes, 1951

Fred Swartz Figure #1, Greenwich Village Nudes, 1951 via

 

Fred Swartz- Fred Swartz Figure #1,  Greenwich Village Nudes, 1951

Fred Swartz- Fred Swartz Figure #1, Greenwich Village Nudes, 1951

Peter Martin – Figure #1, Greenwich Village Nudes, 1951

Peter Martin (American) – known for his fashion and beauty photography. Martin’s photographs consistently graced the pages of Mademoiselle magazine almost every issue – from mid 1940’s to the early 1950’s.

Peter Martin from Figure #1,  Greenwich Village Nudes, 1951

Peter Martin - Figure #1,  Greenwich Village Nudes, 1951

Peter Martin – Figure #1, Greenwich Village Nudes, 1951

Peter Martin - Figure #1,  Greenwich Village Nudes, 1951

Peter Martin – Figure #1, Greenwich Village Nudes, 1951

Peter Martin - Figure #1,  Greenwich Village Nudes, 1951

Peter Martin – Figure #1, Greenwich Village Nudes, 1951

Peter Martin - Figure #1,  Greenwich Village Nudes, 1951

Peter Martin – Figure #1, Greenwich Village Nudes, 1951

Peter Martin - Figure #1,  Greenwich Village Nudes, 1951

Peter Martin – Figure #1, Greenwich Village Nudes, 1951

Peter Martin - Figure #1,  Greenwich Village Nudes, 1951 1

Peter Martin - Figure #1,  Greenwich Village Nudes, 1951

Peter Martin – Figure #1, Greenwich Village Nudes, 1951

Peter Martin - Figure #1,  Greenwich Village Nudes, 1951

Peter Martin – Figure #1, Greenwich Village Nudes, 1951

Peter Martin

Peter Martin

Peter Martin - Figure #1, Greenwich Village Nudes, 1951

Peter Martin – Figure #1, Greenwich Village Nudes, 1951

Uncredited Alberta Vaughn with her sister Adamae (left) ,published in « Arts and Vanities » September 17, 1926

Uncredited Alberta Vaughn with her sister Adamae (left) ,published in Arts and Vanities September 17, 1926

 

Cover of Magazine Masses

« The Masses » February, 1916. Cover artist: Frank Walts.

The Masses, January 1916. Cover art by Frank Walts. Via Newmanology. Originally from The Special Collections at Michigan State University.

« The Masses » March, 1914. Cover artist: Frank Walts. Back cover artist: Maurice Becker.

« The Masses » December, 1915. Cover artist: Ilonka Karasz. Back cover artist: Stuart Davis.

« The Masses » April, 1916. Cover artist: Frank Walts.

« The Masses » December, 1916. Cover artist: Frank Walts.

« The Masses » February, 1917. Cover artist: Hugo Gellert.

« The Masses » May, 1917. Cover artist: Frank Walts.

http://specialcollections.lib.msu.edu/html/materials/collections/masses/index.html