Studio Georges Louis Arlaud ( 1869 – 1944)

Portfolio Vingt Études de Nu en Plein Air, Editions Horos, Paris,1920

Toutes les planches de ce portfolio datent des années 1900, “Vingt études de Nu en Plein Air” (Twenty Outdoor Nude Studies), et ont été prises en Provence ( les lieux de prise de vue sont notifiés à la fin du portfolio, )

Le studio Arlaud était située à Lyon, et Dirigé par L. Arlaud lui même. Pour la série présentée aujourd’hui, ainsi que pour la série des cartes postales, Il s’est rendu dans les Alpes, dans des grottes de l’arrière pays, , au bord de la Méditerranée, et même sur un glacier, et a réalisé un série très connue de vingt études de nus en plein air. Ce travail évoquant les dryades et les naïades, mais les nus de Arlaud ne sont pas sans rappeler aussi les peintures de Maxfield Parrish par exemple.( cf google image ici).

Il a par ailleurs illustré plusieurs livres sur le sud de la France, et quelques autres régions, ( “Les Baux de Provence”, “La corse”,”Nîmes, Uzès, Aigues-Mortes”, “Vals-les-Bains et le bassin de l’Ardèche”, “Arles et la Camargue”,”La Côte des Maures et les Iles d’or de Toulon à Fréjus” et bien d’autres encore ) entre 1927 et 1937.

G. L Arlaud - La liseuse Vingt Études de Nu en Plein Air, 1920

G. L Arlaud – La liseuse Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Cariatide, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Cariatide, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Surprise, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Surprise, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Printemps de Provence, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Printemps de Provence, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Le Sommet, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Le Sommet, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Mirage, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Mirage, from Vingt Études de Nu en Plein Air, 1920

 

Etude G. L Arlaud -Le Sapin, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Le Sapin, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Pax, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Pax, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Le Vent, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Le Vent, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Plongeuse, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Plongeuse, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Lumiere, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Lumiere, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -L'ondine, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -L’ondine, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Le Roc, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Le Roc, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Baigneuse, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Baigneuse, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Le Puits, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Le Puits, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Le Lac Blanc, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Le Lac Blanc, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -L'Appel de la Montagne, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -L’Appel de la Montagne, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -L'alpe, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -L’alpe, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -La Gardienne du Chateau, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -La Gardienne du Chateau, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Joueuse de Flute, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Joueuse de Flute, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -La Grotte, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -La Grotte, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Printemps de Provence, from Vingt Études de Nu en Plein Air, 1920

Etude G. L Arlaud -Printemps de Provence, from Vingt Études de Nu en Plein Air, 1920

 

G.L. Arlaud  Portfolio cover for G.L. Arlaud Vingt Etudes de Nu en Plein Air (Paris, Horos Editions, 1920)  [Vingt Etudes de Nu en Plein Air]  1920

G.L. Arlaud Portfolio cover for G.L. Arlaud Vingt Etudes de Nu en Plein Air (Paris, Horos Editions, 1920) [Vingt Etudes de Nu en Plein Air] 1920

G.L. Arlaud  Portfolio G.L. Arlaud Vingt Etudes de Nu en Plein Air (Paris, Horos Editions, 1920)  [Vingt Etudes de Nu en Plein Air]  1920

G.L. Arlaud Portfolio G.L. Arlaud Vingt Etudes de Nu en Plein Air (Paris, Horos Editions, 1920) [Vingt Etudes de Nu en Plein Air] 1920

G.L. Arlaud  Portfolio  G.L. Arlaud Vingt Etudes de Nu en Plein Air (Paris, Horos Editions, 1920)  [Vingt Etudes de Nu en Plein Air]  1920

G.L. Arlaud Portfolio G.L. Arlaud Vingt Etudes de Nu en Plein Air (Paris, Horos Editions, 1920) [Vingt Etudes de Nu en Plein Air] 1920

G.L. Arlaud  Portfolio  G.L. Arlaud Vingt Etudes de Nu en Plein Air (Paris, Horos Editions, 1920)  [Vingt Etudes de Nu en Plein Air]  1920

G.L. Arlaud Portfolio G.L. Arlaud Vingt Etudes de Nu en Plein Air (Paris, Horos Editions, 1920) [Vingt Etudes de Nu en Plein Air] 1920

G.L. Arlaud  Portfolio cover for G.L. Arlaud Vingt Etudes de Nu en Plein Air (Paris, Horos Editions, 1920)  [Vingt Etudes de Nu en Plein Air]  1920

G.L. Arlaud Portfolio cover for G.L. Arlaud Vingt Etudes de Nu en Plein Air (Paris, Horos Editions, 1920) [Vingt Etudes de Nu en Plein Air] 1920

Vous pouvez retrouvez ces planches sur Luminous

Autres Etudes de Nus qui restent dans le même esprit et qui ont aussi étés réalisées dans le sud de la France, mais éditées en format carte postales et réalisées entre les années 1920 et 1930

Etude G. L Arlaud - La Barque, 1930

Etude G. L Arlaud – La Barque, 1930

 

Etude G. L Arlaud - l'Epine, nu érotique 1930

Etude G. L Arlaud – l’Epine, nu érotique 1930

 

Etude G. L Arlaud -l'Agave, nu érotique 1930

Etude G. L Arlaud -l’Agave, nu érotique 1930

 

Etude G. L Arlaud  -Reverie, 1930

Etude G. L Arlaud -Reverie, 1930

 

Etude G. L Arlaud -  Voute Ruines, 1930

Etude G. L Arlaud – Voute  1930

Etude G. L Arlaud  -Andromède, 1930

Etude G. L Arlaud -Andromède, 1930

Etude G. L Arlaud - l'Océan, nu érotique 1930

Etude G. L Arlaud – l’Océan, nu érotique 1930

Etude G. L Arlaud - La Cueillette, 1930

Etude G. L Arlaud – La Cueillette, 1930

Etude G. L Arlaud  -La Lande, 1930

Etude G. L Arlaud -La Lande, 1930

Série en Studio

Etude G. L Arlaud - Etude, ,1930

Etude G. L Arlaud – Etude, ,1930

Etude G. L Arlaud - Potiche , nu érotique 1920-30

Etude G. L Arlaud – Potiche , nu érotique 1920-30

Etude G. L Arlaud - L'éveil ,1930

Etude G. L Arlaud – L’éveil ,1930

Etude G. L Arlaud - Bouddha, 1930

Etude G. L Arlaud – Bouddha, 1930

Etude G. L Arlaud -Madeleine, 1930

Etude G. L Arlaud -Madeleine, 1930

Etude G. L Arlaud - Femme couchée, 1930

Etude G. L Arlaud – Femme couchée, 1930

je vous ajoute celle ci car je l’aime beaucoup

Dr Ch. Fouqué & G.L. Arlaud L'album de la femme. La morphologie esthétique d'après l'étude du nu. Considérations physiologiques et philosophiques. Editions G. L. Arlaud, Lyon, 1936

Dr Ch. Fouqué & G.L. Arlaud L’album de la femme. La morphologie esthétique d’après l’étude du nu. Considérations physiologiques et philosophiques. Editions G. L. Arlaud, Lyon, 1936

Parry Roger -Portraits part II

Roger Parry-Autoportrait avec perruque, 1943

Roger Parry-Autoportrait avec perruque, 1943

Roger Parry - auto Portrait, nd

Roger Parry – auto Portrait, nd

Roger Parry - auto Portrait téléphone, 1929

Roger Parry – auto Portrait téléphone, 1929

Roger Parry. Portrait of Maurice Tabard. 1928. courtesy of Thomas Walther - MOMA

Roger Parry. Portrait of Maurice Tabard. 1928. courtesy of Thomas Walther – MOMA

Roger Parry - Portrait de la chanteuse Agnès Capri, 1929

Roger Parry – Portrait de la chanteuse Agnès Capri, 1929

Roger Parry-Jany Holt chez le photographe, 1941

Roger Parry - Portrait de Foujita chez lui , 1940

Roger Parry – Portrait de Foujita chez lui , 1940

Roger Parry - Portrait de Foujita chez lui , 1940

Roger Parry – Portrait de Foujita chez lui , 1940

Roger Parry - Fréhel à table avec des admirateurs, lors d'une séance de dedicaces 1940

Roger Parry – Fréhel à table avec des admirateurs, lors d’une séance de dedicaces 1940

Roger Parry - Suzy Solidor assise entourée d'admirateurs lors d'une seance de dédicaces, 1940

Roger Parry – Suzy Solidor assise entourée d’admirateurs lors d’une seance de dédicaces, 1940

Roger Parry-Portrait de Jean Cocteau à la première de Antigone avec Rouché, Toutain, Chauviré, Bourdet et Blanchard 1941

Roger Parry-Portrait de Jean Cocteau à la première de Antigone avec Rouché, Toutain, Chauviré, Bourdet et Blanchard 1941

Roger Parry-Madeleine Renaud et Jean Cocteau de travail Répétition de Renaud et Armide, 1943

Roger Parry-Madeleine Renaud et Jean Cocteau de travail Répétition de Renaud et Armide, 1943

Roger Parry-Madeleine Renaud et Jean Cocteau de travail Répétition de Renaud et Armide, 1943

Roger Parry-Madeleine Renaud et Jean Cocteau de travail Répétition de Renaud et Armide, 1943

Roger Parry - Edith Piaf dans une chambre d'hôtel se penche à la fenêtre, juillet 1941

Roger Parry – Edith Piaf dans une chambre d’hôtel se penche à la fenêtre, juillet 1941

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Roger Parry - Albert Préjean Edith Piaf, 1941

Roger Parry – Albert Préjean Edith Piaf, 1941

 Voir tous les articles sur Roger Parry

Josef Ehm (1909-1989)

Josef Ehm was a Czech photographer, teacher and editor. From 1934 – 1946, Ehm taught at the State School of Graphic Arts in Prague and, between 1939 and 1941, he edited with Funke magazine Photo horizon. In 1943, Ehm participated as the author of several shots for a portfolio of modern Czech photography.

In its free form, Ehm’s work was a remarkable representative of the stream based on the New Objectivity. In his work, the link between a sense of purist photography and perfection crafts is apparent. From the thirties to the sixties, Ehm’s work created a chamber ensemble of instruments, portraits, natural and urban landscapes and original ideas. He is one of the few photographers whose work is in the retaining elements which helped create a new pragmatism after 1945.

Josef Ehm- Woman with Veil 1946 vintage gelatin silver print

Josef Ehm, Untitled, 1946

Josef Ehm – Portrait behind black lace, 1945

Josef Ehm – Nude with Golden Lace I1946.Gelatin silver print_e

Josef Ehm – Rovina , Circa 1935. Gelatin silver print

Josef Ehm – Nude with Sabattier’s Effect, 1946. Gelatin silver print.

Josef Ehm – Krajkovaná Žena.Gelatin silver print

Josef Ehm – Nude with Seabattier_s Effect II1946.Gelatin silver print

Josef Ehm – NUDE (SOLARISATION), 1936Vintage gelatin silver print.

Josef Ehm – Nude with Golden Lace I 1946.Gelatin silver print

Josef Ehm – Nude on a Chair 1960 .Gelatin silver print

Josef Ehm – Nude on a Chair 1960 .Gelatin silver print

Pierre Desproges (9 mai 1939- 18 avril 1988)

« J’ai toujours été fasciné par les détenteurs de vérité qui, débarrassés du doute, peuvent se permettre de se jeter tête baisée dans tous les combats que leur dicte la tranquille assurance de leurs certitudes aveugles »

Pierre Desproges

Desproges par Desproges

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MERCI adamvasco . You made my stats explosed , since the April 7 2019.  You’ve got many power and audience , did you know that ?

 

 

 

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Tilla Durieux

Born Ottilie Godeffroy, the daughter of the Austrian chemist Richard Godeffroy (1847–1895), she trained as an actress in Vienna, her native town, and gave her debut at the Moravian Theatre in Olmütz (Olomouc) in 1901/02.

The next season she got an engagement in Breslau (Wrocław). From 1903 she worked with Max Reinhardt at the Deutsches Theater in Berlin and with a group of expressionist artists around Kurt Hiller and Jakob van Hoddis.

In 1911 Durieux entered the stage of the Lessing Theater where, on November 1, 1913, she became the second actress to perform the role Eliza Doolittle in a German language production of George Bernard Shaw’s play Pygmalion, half a year before its English premiere on April 11, 1914. From 1915 she performed at the Royal Schauspielhaus Berlin.[ In 1904, Durieux married the Berlin Secession painter Eugen Spiro, and after their divorce, she remarried in 1910 the successful art dealer and editor Paul Cassirer, who committed suicide in a room next to the court room that pronounced their divorce. Soon after, Durieux married general director Ludwig Katzenellenbogen. In 1927 they were the main financiers of Erwin Piscator’s Neues Schauspielhaus project. Durieux was a public character of 1920s Berlin and associated with numerous celebrities like the famous photographer Frieda Riess.

In 1933, Durieux and her husband left Germany for Switzerland to escape Nazi rule. She continued to perform at the Vienna Theater in der Josefstadt and in Prague.

In 1937 she moved to Zagreb, Croatia (then in the Kingdom of Yugoslavia) where she became a member of the International Red Aid. Durieux unsuccessfully tried to obtain visa for the United States; in 1941 Ludwig Katzenellenbogen was arrested by Gestapo agents in Thessaloniki and deported to Sachsenhausen concentration camp, where he was killed in 1944.

Durieux returned to West Germany in 1952, appearing on stages in Berlin, Hamburg and Münster.

Franz von Stuck (or Mary von Stuck) showing Tilla Durieux in the role of Circe. 1912 The photo served as a model for the painting Tilla Durieux as Circe by Franz von Stuck

Franz von Stuck (or Mary von Stuck) showing Tilla Durieux in the role of Circe. 1912 The photo served as a model for the painting Tilla Durieux as Circe by Franz von Stuck

Tilla Durieux as Circe by Franz von Stuck

Tilla Durieux als Cleopatra im Münchener Künstlertheater von 1913 by Isidore Hirsch München

Portrait of the actress Tilla Durieux by Isidor Hirsch, 1908

Tilla Durieux-as Anna Countess Werdenfels in The Marquis of Keith 192s Picture by arelier Becker & Maaß

Tilla Durieux-as Anna Countess Werdenfels in The Marquis of Keith 192s Picture by arelier Becker & Maaß

Tilla Durieux-as Anna Countess Werdenfels in The Marquis of Keith 192s Picture by arelier Becker & Maaß

Tilla Durieux-as Anna Countess Werdenfels in The Marquis of Keith 1920s Picture by arelier Becker & Maaß

Tilla Durieux-as Anna Countess Werdenfels in The Marquis of Keith 192s Picture by arelier Becker & Maaß

Tilla Durieux-as Anna Countess Werdenfels in The Marquis of Keith 192s Picture by arelier Becker & Maaß

Tilla Durieux-as Potiphar’s wife in the ballet Josefslegende in Berlin 1921 Picture by arelier Becker & Maaß

Tilla Durieux-as Potiphar’s wife in the ballet Josefslegende in Berlin 1921 Picture by arelier Becker & Maaß

Tilla Durieux, German actress. Photography.1914. Photo by Imagno

Tilla Durieux in her home by V.H.Leiser, Berlin, 1910s

Tilla Durieux Photo by Isidor Hirsch, 1910s

Tilla Durieux 1905 Foto Jacob Hilsdorf

Tilla Durieux-1910 Picture by arelier Becker & Maaß

Tilla Durieux-1910 Picture by arelier Becker & Maaß

Tilla Durieux- in ‘Josephs legende’, 1921 Picture by arelier Becker & Maaß

Tilla Durieux as Hebbel, Judith, 1910 postcard, Picture by arelier Becker

Tilla Durieux as Hebbel, Judith, 1910 postcard, Picture by arelier Becker

Tilla Durieux as ‘Delila’ in the play ‘Simson’ by Frank Wedekind, 1914, Picture by Becker & Maaß

Tilla Durieux as ‘Delila’ in the play ‘Simson’ by Frank Wedekind, 1914, Picture by Becker & Maaß

Tilla Durieux William Shakespeare, Sommernachtstraum Tilla Durieux als Oberon- vermutl. 1905 Photo by ullstein bild

Tilla Durieux  in « Grosse Liebe » bt Heinrich Mann photo by  Berker and Maaß,1913

 

Sasha

Alexander ‘Sasha’ Stewart, born 1892 in Edinburgh, moved to London and launched his professional photography career in 1914. In 1920, Sasha opened his first London studio in Bloomsbury. A technical virtuoso and popular amongst the upper class, the photographer’s theatrical and society portraits were frequently seen in sophisticated journals such as The Tatler, The Sketch and Illustrated London News.

As brilliant as he was charming, Sasha was known for his inventions and studio innovations, none more so than the Sashalite. Produced by General Electric with key input from the photographer, the Sashalite debuted in 1930 and was the first commercial flashbulb available in the UK. Sasha used the powerful light generated by the bulbs to capture his trendsetting and signature dramatic shadows and frozen motion.

Esme Fitzgibbon British actress in costume as Madeline for a stage production of ‘The Ratby sasha.1924

The English ballerina Dame Margot Fonteyn (Margaret Hookham) (1919 – 1991) holding a mask by sasha. 1920-30

A Norman Hartnell evening gown. by sasha. 1920-30

The Australian beauty Dorothy Blanchard, who has just left London to join the Ziegfeld Follies, reclining on a sumptuous bed. by sasha. 1925

The English actress Hermione Baddeley (1906 – 1986).. by sasha. 19220-30

Alice Joyce (1890 – 1955) in London to play the lead in a film, ‘The Passionate Adventure’. by sasha.1925

A woman wearing a fashionable hat decorated with leaf motifs by Peron. by sasha. 1925

A woman wearing a cloche hat decorated with flowers by sasha.1925-30

A unknown model wearing a Paquin feathered headdress. by sasha.1920-25

A woman wearing a fashionable woven hat decorated with jewellery by Peron. by sasha. 1925

A woman wearing a jewelled headdress designed by Paquin by sasha.1924

advertissement for A Schiaparelli hat by sasha. 1930s

An actress appearing in the play ‘Libel’ at the Playhouse theatre. . by sasha.1934

Portrait if the Dancer Kyra Alanova. . by sasha.1929

Show ring rider Mrs Sam Marsh wearing a top hat and a veil over her face. . by sasha.1920

The English actress Vivien Leigh (1913 – 1967). Original Publication in People Disc by sasha.Nd

Frances Day (1907 – 1984) in ‘Floodlight’.by sasha.1925

American authoress Anita Loos, who wrote ‘Gentleman Prefer Blondes’.. by sasha. nd

British actress Dorothy Seacombe by sasha. 1926

Lady Castlerosse modelling the medieval-style costume and wimple she will wear to the Galaxy Ball Pageant, held at London’s Park Lane Hotel. by sasha.1929

The American dancer, Ardath de Sales in costume for ‘Mercenary’, a show at London’s Hippodrome Theatre. by sasha. 1925

Entertainer Elsa McFarlane stands on the bonnet of a Rolls Royce car, mimicking the Silver Lady figurine, in a production of ‘The Co-Optimists’, at the Vaudeville Theatre in Londonby sasha. 1929

Dancer Muriel Gaunt by sasha. 1939

The Australian dancer Dorothy Blanchard, who has just left London to join the Ziegfeld Follies, sitting by the fireplace by sasha. 1925

The Film actress Marjory Brooks. by sasha.1927

Cecily Byrne as Lydia Webster in the Lyric Theatre’s production of ‘Baby Cyclone’. by sasha.1928

Catherine Lacy as Ricciada in the first production of ‘Night’s Candles’, at the Queen Theatre. by sasha.1933

The Glamorous Australian dancer Dorothy Blanchard smoking a cigarette. by sasha.1925

 

Kyra Nijinsky (1913 – 1998), daughter of the famous Russian dancer and one of the principals of ‘Cochran’s Streamline Revue’ at the Palace Theatre, London.. by sasha.1930s

Chorus girls in Felix Ferry’s Monte Carlo Follies are performing in London at Grosvenor House.. by sasha. 1930s

The Dancer Laura Devine performing a shadow dance during a production of C B Cochran’s show ‘This Year of Grace’ at the London Pavilion. by sasha.1928

A dancer dancing in a British National Opera Company production at His Majesty’s Theatre, London by sasha. 1924

Stanislawa Welska performs an exotic dance which produces a dramatic shadow. by sasha. 19330s

A dancer cowering from a shadowed pair of hands looming over her on stage. by sasha. 1930

The Singer and dancer Bunty Pain, one of Cecil B Cochran’s chorus girls, wearing a diaphanous dress. by sasha. 1929

Tilly Losch (1904 – 1974) dancing in an extravagant costume, in a scene from the show `Wake Up And Dream’. by sasha.1929

The Dancer and actress Tilly Losch (1904 – 1974), one of the principals in ‘Streamline Revue. by sasha.1934

Tilly Losch and Tony Birkmayr in ‘Wake Up And Dream’ at the London Pavilion Theatre. by sasha.1929

Austrian dancer Tilly Losch and Roman Jasinsky dancing in a production of the ballet ‘Errante’ at the Savoy Theatre, London, with choreography by George Balanchine, and costumes by Paul Tchelitchev sasha. 19230s

A couple dancing the Charleston in a scene from the play ‘Just A Kiss’ at the Shaftesbury Theatre, London. by sasha.Nd

dancer and choreographer Serge Lifar and classical Russian ballerina Alice Nikitina performing the Russian ballet La Chatte (‘The Cat) Music H .Saguet, choreography G. Balanchine, designs Gabo and Pevsner. by sasha.1927

Nini Theilade, Indonesian ballet dancer, adopting a ballet pose for a studio portrait by sasha. 1933

Musical comedy actress Jessie Matthews (1907 – 1981) poses in a swimsuit. by sasha.1931

The Russian ballet dancer Alexandra Danilova (1904 – 1997) dancing in a Diaghilev production of ‘Swan Lake’ by sasha.1926

The Actress Binnie Hale dancing in the musical comedy, ‘Mr Cinders’, at the Adelphi Theatre, London by sasha. 1929

Dancing nymphs, in a scene from the play ‘Comus’ at the Open Air Theatre, Regents Park, London by sasha.1934

Members of the Margaret Morris dance troupe dancing out-of-door in accordance with the Margaret Morris Movement (MMM) interpretation of dance.. by sasha.1927

Tap dancers in ‘Voila Les Dames’ at the Prince of Wales Theatre. London hold hearts in front of them as they dance by sasha.1935

British actress Jessie Matthews (1907 – 1981) wearing a headdress decorated with ostrich feathers for her appearance in Charles B Cochran’s musical spectacular ‘Ever Green’ at the Adelphi Theatre, London. by sasha.1930

Binnie Hale surrounded by a huge plume of feathers in the show, `Mr Cinders’’. by sasha.1929

An unusual view of the ‘Albertina Rasch Girls’ who appear in the show, ‘Wild Violets’ at the Drury Lane Theatre, London by sasha.1933

The Albertina Rasch chorus girls who are appearing in ‘Wild Violets.by sasha.1933

The Albertina Rasch Girls who appear in the show ‘Wild Violets’. From top to bottom Inga Anderson, Nosie Dale and Vida McLain..by sasha.1932

The English ballet dancer Leslie Burrows performing a dance entitled ‘Fear’. by sasha.1934

A woman standing on a beach. by sasha.1930

A couple kissing in a scene from the play ‘Just A Kiss’ at the Shaftesbury Theatre, London. by sasha. 1926

American dancers Estelle & Leroy, in action at the Savoy Hotel, London. by sasha. 1934

Composer and actor Ivor Novello (1892 – 1951) with just his face seen peering through a spy hole in a door by sasha. 1928

The English ballerina Dame Margot Fonteyn (Margaret Hookham) (1919 – 1991) holding a mask by sasha. 1920-30

A close-up of the hands of Jessie Matthews (1907 – 1981), dancer and film-star. by sasha.1930

Chorus girls singing on stage, whilst wearing eye masks by sasha.1930

A group in a model boat in a scene from the show ‘Peggy Ann’, at the Dalys Theatre by sasha.1927

English actress and dancer Phyllis Monkman (1892 – 1976) with Welsh composer and actor Ivor Novello (1893 – 1951) in ‘Downhill’ at the Queens Theatre. by sasha.1926

Noel Coward (1899 – 1973) and Gertrude Lawrence (1898 – 1952) in ‘Private Lives’ at the Phoenix theatre by sasha.Nd

Santa Proud Fashions by sasha.1930s

Ruby Stewart, currently appearing in a musical at the Gaiety Theatre, London by sasha.1937

Stage and screen actress Joyce Bland (1906-1963), who is currently playing the lead role in ‘Mary Bloome’ at the Embassy Theatre. by sasha.1931

Stage and screen actress Joyce Bland (1906-1963), who is currently playing the lead role in ‘Mary Bloome’ at the Embassy Theatre. by sasha.1931

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