Baldomer Gili Roig

Baldomer Gili i Roig was a Catalan painter, draftsman and photographer. His father was a teacher and editor. His brother, Gustau (Gustavo, 1868–1945), became the founder of Editorial Gustavo Gili , a major publishing company. In 1882, the family moved to Irun, where he began his first art lessons with José Salís Camino , a marine artist and follower of Camille Corot. Six years later, the family returned to Barcelona and he enrolled at the Escola de la Llotja. It was there that he came under the influence of the Sorollistas and brightened his palette.

In 1890, he decided to go to Madrid and enter the « Escuela Especial de Pintura, Escultura y Grabado », attending the classes of Alejo Vera, who he admired. Seven years later, he ventured to Munich to further his studies at the Academy of Fine Arts, but was obliged to return home a year later due to the political crisis occasioned by the beginning of the Spanish–American War. In 1899, he had his first exhibition at the Sala Parés.

The following year, he held his first showing in his hometown and, with the help of Jaume Morera, received a stipend from the local government to study in Italy. At first, he lived in a Capuchin monastery near Rome, in Frascati, then at the Villa Strohl Fern in the Villa Borghese. While there, he sent paintings back to Lleida (to show that he was fulfilling the conditions of his stipend), and to an exposition in Paris. In 1901, he participated in the National Exhibition of Fine Arts.

After four years, he returned to Barcelona. In addition to his paintings, he provided illustrations for several notable publications, including L’Esquella de la Torratxa. Many of his drawings were signed « L’Alegret » (possibly a reference to Alegret, the Gascon troubadour). He also tried his hand at being a playwright. In 1909, the Teatre Apolo premiered his musical comedy La Canción de la Ninfa; written under the nom-de-plume « Emilio Roig », with music by Pedro Enrique de Ferrán.

He was fascinated with photography as well and almost always went about with a camera on hand, producing over a thousand glass plates, documenting the places and people in his life, which his descendants presented to the Museu d’Art Jaume Morera in 2009

Over the next decade, he continued to exhibit frequently and widely throughout Europe and South America, visiting Buenos Aires and Montevideo in 1925. He died of pneumonia at the end of 1926.

 

Baldomer Gili Roig. Model with veil outdoor,Roma c. 1910, Museu d’Art Jaume Morera

Baldomer Gili Roig. Models , 1910 Museu d’Art Jaume Morera

Baldomer Gili Roig -Model around 1910 Museu d’Art Jaume Morera

Baldomer Gili Roig. Model, 1900 – 1910 Museu d’Art Jaume Morera

Baldomer Gili Roig. Model around 1910 Museu d’Art Jaume Morera

Baldomer Gili Roig. Model 1910

Baldomer Gili Roig. Model 1910

Baldomer Gili Roig. Model , 1910, Barcelona, Museu d’Art Jaume Morera

Baldomer Gili Roig. Model a l’estudi de l’artista (Barcelona), c.1914

Baldomer Gili Roig.Baldomer Gili Roig al seu estudi (Barcelona) 1904 Museu d’Art Jaume Morera

Baldomer Gili Roig. Model dressed Pharaoh in the painter’s studio c. 1910, Museu d’Art Jaume Morera

Baldomer Gili Roig. in the painter’s studio (Roma) c. 1900-04, Museu d’Art Jaume Morera

Baldomer Gili Roig.Baldomer Gili Roig amb una model al seu estudi (Roma), 1900 – 1904 Museu d’Art Jaume Morera

Baldomer Gili Roig. Baldomer Gili Roig al seu estudi (Barcelona), 1899 Museu d’Art Jaume Morera

Baldomer Gili Roig. Baldomer Gili Roig al seu estudi (Barcelona), 1899 Museu d’Art Jaume Morera

Baldomer Gili Roig-Model a l’estudi del pintor (Barcelona), nd Museu d’Art Jaume Morera

Baldomer Gili Roig-Model a l’estudi del pintor (Barcelona), c. 1910 Museu d’Art Jaume Morera

Baldomer Gili Roig-Model a l’estudi del pintor (Barcelona), c. 1910 Museu d’Art Jaume Morera

Baldomer Gili Roig. Model in the painter’s studio (Barcelona), c. 1910, Museu d’Art Jaume Morera

Baldomer Gili Roig. Model in the painter’s studio (Barcelona), c. 1910, Museu d’Art Jaume Morera

Baldomer Gili Roig. Model in the painter’s studio (Barcelona), c. 1910, Museu d’Art Jaume Morera

Baldomer Gili Roig. Model in the painter’s studio c. 1900-04, Museu d’Art Jaume Morera

Baldomer Gili Roig. Model a l’estudi del pintor , 1900-1904 Museu d’Art Jaume Morera

Baldomer Gili Roig.Model, nd Museu d’Art Jaume Morera

Baldomer Gili Roig. Model, 1910, Museu d’Art Jaume Morera

Baldomer Gili Roig. Model, Barcelona, c. 1910, Museu d’Art Jaume Morera

Baldomer Gili Roig. Model, Barcelona, c. 1910, Museu d’Art Jaume Morera

Baldomer Gili Roig. Seating nude Model outdoor, c. 1910, Museu d’Art Jaume Morera

Baldomer Gili Roig. Model posing outdoor 1900-04, Museu d’Art Jaume Morera

Baldomer Gili Roig. Model, Cala Bona (Blanes), Barcelona,around c. 1910, Museu d’Art Jaume Morera

Baldomer Gili Roig. Models (Roma), 1900 – 1904, Museu d’Art Jaume Morera.

Baldomer Gili Roig. Models (Roma), 1900 – 1904, Museu d’Art Jaume Morera.

Baldomer Gili Roig. Models (Roma), 1900 – 1910 Museu d’Art Jaume Morera

Baldomer Gili Roig. painting a model, c. 1905, Museu d’Art Jaume Morera

Baldomer Gili Roig. Reclining Model outdoor 1900 – 1904, Museu d’Art Jaume Morera

 

Baldomer Gili Roig. Couple (Barcelona) c. 1900-10, Museu d’Art Jaume Morera

Baldomer Gili Roig. Work ,Winter Sun c. 1900-10, Museu d’Art Jaume Morera

Baldomer Gili Roig. Models , 1905-10 Museu d’Art Jaume Morera

Baldomer Gili Roig-Model 1910-1914 Museu d’Art Jaume Morera

Baldomer Gili Roig. Model (Roma), 1900 – 1910 Museu d’Art Jaume Morera

Baldomer Gili Roig.Model (Idarella), 1900 – 1904 Museu d’Art Jaume Morera

 

Baldomer Gili Roig. Models (Il·lustració col·lecció postals), 1902Museu d’Art Jaume Morera

Baldomer Gili Roig.Model (Cartell El Pueblo Vasco), 1900 – 1904 Museu d’Art Jaume Morera

Baldomer Gili Roig. Retrat d’Idarella (Roma), 1900 – 1904 , Museu d’Art Jaume Morera

 

Baldomer Gili i Roig. Autoretrat c. 1900.

Baldomer Gili Roig., Autoretrat, 1900 – 1904 – 1904 Museu d’Art Jaume Morera

Baldomer Gili Roig.Baldomer Gili Roig a l’estudi, 1900 – 1904 Museu d’Art Jaume Morera

Ferdinand Schmutzer

 (21 May 1870 – 26 October 1928) was an Austrian print graphic designer , photographer and portrait painter

Schmutzer came from a traditional Viennese artist family. His great-grandfather Jacob Matthias Schmutzer founded the « kk engraver-Academie » in Vienna, which was soon merged with the « Imperial Academy of Fine Arts United ». Like his grandfather and father Ferdinand Schmutzer initially dealt with sculpture , but subsequently studied at the Vienna Academy , the painting . In a study in the Netherlands, the influence aroused Rembrandt van Rijn’s his interest in the etching . Soon Schmutzer enjoyed great success with his photo portraitsof Viennese society. Prominent contemporaries such as Sigmund Freud, Albert Einstein , Emperor Franz Josef , the Vienna Philharmonic or Karl Lueger stood in his model.

Schmutzer exhibited his works internationally and has received several prizes and awards. In 1901 he was awarded at the Great Berlin Art Exhibition a small gold medal and 1905 a large. One particular innovation was the use of large formats in the technique of etching were unknown until then. 1901 Schmutzer was a member of the Viennese Secession , 1908, he was recognized as a master of his art professor at the Academy of Fine Arts Viennaappointed. In addition to the large formats, he introduced new techniques: he used new etching method and experimented with new needles. From 1922 to 1924 he was the Academy ago as rector. 1928 Ferdinand Schmutzer died 58-year-old in Vienna in his villa in the Sternwartestraße. His daughter was the artist Susanne Peschke-Schmutzer .

Ferdinand Schmutzer- Female Nude, Study for the Ex Libris by Dr. Ing. M. Elias,1915

Ferdinand Schmutzer- Lying female nude on a blanket in a studio.1906

Ferdinand Schmutzer-Half figure of a seated naked young woman, left hand raised to the mouth,1905

Ferdinand Schmutzer-Atelier of the sculptor Charles Korschann,1900

Ferdinand Schmutzer-Back view of a naked woman with short hair, left knee supported on a chair,1905

Ferdinand Schmutzer-nude..1905

Ferdinand SchmutzerFemale nudes from behind,1905

Ferdinand Schmutzer-Sitting female nude,1905

Ferdinand Schmutzer-Naked woman standing on a box from behind. Right arm stretched sideways, small figure in the right hand,1905

Ferdinand Schmutzer-Standing female nude from behind,1905

Ferdinand Schmutzer-Standing female nude playing violin,1905

Ferdinand Schmutzer-Nude photograph in the studio of the sculptor Charles Korschann,1900

Ferdinand Schmutzer-Variation of a young woman with an inclined chair,1897

Ferdinand Schmutzer-Woman in light dress, behind him man holding her orchids to the hair in atelier scene.,1903

Ferdinand Schmutzer-Katharina Mautner outdoors,1905

Ferdinand Schmutzerf Half-length portrait of a woman with a pearl necklace, a stylized wing hood and a cut-out dress,1900

Ferdinand Schmutzer-White seamstress in dutch dress in dark room working at the window..,1903

Ferdinand Schmutzer- Garden party in Karl Wittgenstein’s house, ca. 1903 silver gelatin print

Ferdinand Schmutzer-The dancer Gertrude Barrison in Biedermeier costume, standing whole figure.1907

Ferdinand Schmutzer-The dancer Gertrude Barrison in Biedermeier costume, standing whole figure.1907

Ferdinand Schmutzer-The dancer Gertrude Barrison in Biedermeier costume, standing whole figure.1907

Ferdinand Schmutzer-The dancer Gertrude Barrison in Biedermeier costume, standing whole figure.1907

Ferdinand Schmutzer-The dancer Gertrude Barrison in Biedermeier costume, standing whole figure.1907

Ferdinand Schmutzer- Lady in white dress, fan in hands, leaning forward.1910

Ferdinand Schmutzer-Lady with hat puts on gloves. Almost whole figure. Two self-contained representations on a plate..1900-1910

 

Ferdinand Schmutzer Sigmund Freud (1856-1939)1926

Ferdinand SchmutzerFerdinand Schmutzer (the artist’s father), sculptor, ca. 1910silver gelatin print

source : europeana.eu/people/ferdinand-schmutzer

Heinrich Zille

Painter, Drawer and Photographer 1858-1929 Berlin

Pour ses peintures de nus des années 1900 à 1903, il a utilisé les studios d » August Gaule et d’ August Army.  Les photos de nus de Zille montrent ce qui se passe dans le studio entre les modèles et les étudiants dans leur travail.

Heinrich Zille-Rückenansicht ( vu de dos), Août 1901

Heinrich Zille- Aktstudie Beim Auskleiden im Atelier von, August Gaul, 1901

Heinrich Zille- Aktstudie Beim Auskleiden im Atelier von, August Gaul, 1901

Heinrich Zille- Dornauszieher- Pose, 1900s

Heinrich Zille- Dornauszieher- Pose, 1900s

Heinrich Zille- Kleiner Akt im Atelier, 1900s

Heinrich Zille- Kleiner Akt im Atelier, 1900s

Heinrich Zille -Aktstudie - Posierende Frau mit Tuch, 1901-03

Heinrich Zille -Aktstudie – Posierende Frau mit Tuch, 1901-03

Heinrich Zille - akt , 1899-1900

Heinrich Zille – akt , 1899-1900

Heinrich Zille-  - akt , 1899-1900

Heinrich Zille- – akt , 1899-1900

Heinrich Zille-Aktstudie probablement Rosa Meissner,1900s.

Heinrich Zille-Aktstudie probablement Rosa Meissner,1900s.

Heinrich Zille-Aktstudie probablement Rosa Meissner,1900s

Heinrich Zille-Aktstudie probablement Rosa Meissner,1900s

Heinrich Zille Abendakt in einem Maleratelier 1899-1900

Heinrich Zille Abendakt in einem Maleratelier 1899-1900

Heinrich Zille-  Künstlerkollegen und Ateliers, Aktstudie, 1900

Heinrich Zille- Künstlerkollegen und Ateliers, Aktstudie, 1900

Heinrich Zille- akt , 1905

Heinrich Zille- akt , 1905

Heinrich Zille- modelstudie, omstreeks 1900-03

Heinrich Zille- modelstudie, omstreeks 1900-03

Heinrich Zille Künstlerkollegen und Ateliers,Artistes et studios Compagnons, Heinrich Zille est le modèle Août Kraus pour le buste de Wedigo de Plotho1900

Heinrich Zille Künstlerkollegen und Ateliers,Artistes et studios Compagnons, Heinrich Zille est le modèle Août Kraus pour le buste de Wedigo de Plotho, 1900

Heinrich Zille Künstlerkollegen und Ateliers, Fritz Klimsch in seinem Atelier1900

Heinrich Zille Künstlerkollegen und Ateliers, Fritz Klimsch in seinem Atelier1900

 

Heinrich Zille und Winfried [Mitarb.] Ranke Photographien Berlin 1890 - 1910. Heinrich Zille ; Winfried Ranke.  Schirmer-Mosel Verlag, München, 1975

Heinrich Zille und Winfried [Mitarb.] Ranke Photographien Berlin 1890 – 1910. Heinrich Zille ; Winfried Ranke. Schirmer-Mosel Verlag, München, 1975