Man Ray- Marcel Duchamp

 Rotary Glass Plates

Alta Technical Studies Series A, Alta studios, Inc, Golden Gate Ave, San Francisco

Alta Technical Studies Series A, Alta studios, Inc, Golden Gate Ave, San Francisco

from Alta Technical Studies Series A, Alta studios, Inc, Golden Gate Ave, San Francisco

from Alta Technical Studies Series A, Alta studios, Inc, Golden Gate Ave, San Francisco

from Alta Technical Studies Series A, Alta studios, Inc, Golden Gate Ave, San Francisco

from Alta Technical Studies Series A, Alta studios, Inc, Golden Gate Ave, San Francisco

from Alta Technical Studies Series A, Alta studios, Inc, Golden Gate Ave, San Francisco

from Alta Technical Studies Series A, Alta studios, Inc, Golden Gate Ave, San Francisco

from Alta Technical Studies Series A, Alta studios, Inc, Golden Gate Ave, San Francisco

from Alta Technical Studies Series A, Alta studios, Inc, Golden Gate Ave, San Francisco

from Alta Technical Studies Series A, Alta studios, Inc, Golden Gate Ave, San Francisco

new prints

 

Charles J. Cook

Cook worked in Chicago, and was known for his images of nudes in the Art Nouveau aesthetic. REF: Who Was Who in American Art; biographical information that was originally from the artist.

Cook achieved interesting effects by manipulating his negatives, transforming them into positves.

He mounted the image on to a gold, painted background, allowing the color of the background to be visible in the negative areas, tinting the entire image.

Charles J. Cook- Nude, 1910

Charles J. Cook- Nude, 1910

Charles J. Cook- Nude, 1910

Charles J. Cook- Nude, 1910

Charles J. Cook - Nude, 1920

Charles J. Cook – Nude, 1920

Charles J. Cook - Nude, 1920

Charles J. Cook – Nude, 1920

Charles J. Cook - Nude, 1920

Charles J. Cook – Nude, 1920

Charles J. Cook- Nude, 1910

Charles J. Cook- Nude, 1910

Charles J Cook - Untitled - 1910

Charles J Cook – Untitled – 1910

Charles J Cook - Nude, 1910

Charles J Cook – Nude, 1910

Charles J. Cook- Nude, 1910 sepia tone

Charles J. Cook- Nude, 1910 sepia tone

Charles J Cook - Nude, 1910 (2)

Charles J Cook – Nude, 1910

Charles J. Cook- Nude, 1910

Charles J. Cook- Nude, 1910

Charles J. Cook- Nude, 1920

Charles J. Cook- Nude, 1920

Charles J. Cook- Nude, 1920

Charles J. Cook- Nude, 1920

Charles J Cook -Female Nude In Stream, 1920

Charles J Cook -Female Nude In Stream, 1920

Charles J. Cook - Nude, 1920

Charles J. Cook – Nude, 1920

Charles J. Cook - Nude, 1920

Charles J. Cook – Nude, 1920

 

Charles J. Cook - Female Nudes In Forest SettingsOriginal 1920

Charles J. Cook – Female Nudes In Forest SettingsOriginal 1920

Charles J. Cook - Female Nudes In Forest 1920

Charles J. Cook – Female Nudes In Forest 1920

Charles J. Cook - Female Nudes In Forest, 1920

Charles J. Cook – Female Nudes In Forest, 1920

 

 

Charles J. Cook - Female Nudes In Forest 1920

Charles J. Cook – Female Nudes In Forest 1920

Charles J. Cook - Female Nudes In Forest, 1927

Charles J. Cook – Female Nudes In Forest, 1927

 

Charles J. Cook - Female Nudes In Forest , 1927

Charles J. Cook – Female Nudes In Forest , 1927

 

Charles J Cook - Untitled , 1928

Charles J Cook – Untitled , 1928

Charles J Cook - Untitled , 1928 (2)

Charles J Cook – Untitled , 1928

Charles J. Cook - Female Nudes In Forest ,1928

Charles J. Cook – Female Nudes In Forest ,1928

Charles J. Cook - Female Nude In Forest, 1928

Charles J. Cook – Female Nude In Forest, 1928

Charles J. Cook- Female Nude In Forest, 1927

Charles J. Cook- Female Nude In Forest, 1927

Charles J Cook -Female nude in landscapes , 1930

Charles J Cook -Female nude in landscapes , 1930

 

Charles J. Cook: Nude by Stream

Charles J. Cook - Woman in a Kimono, c. 1910

Charles J. Cook – Woman in a Kimono, 1910

 

 

 

 

Arcade Cards Manufactured – ” The poppy”, A pretty scantilly clad Follies Girl with a flower, C.1920

Arcade Cards Manufactured – ” The poppy”, A pretty scantilly clad Follies Girl with a  flower,   C.1920

via Ebay.co

Comte Etienne de Beaumont , connu pour ses grand bals masqués dans les années 20-25

The Count Etienne de Beaumont, a wealthy descendant of one of the great families of France, was both a ballet set designer, costumes and jewelery, a painter, an accomplished socialite, known for its masked balls and a generous patron, especially for the Ballets Russes of Serge Diaghilev, passionate contemporary arts.

On May 17, 1924, he inaugurated the ‘Soirees de Paris’ Théâtre de la Cigale in Montmartre. They only last a year, combining music hall performances, ballet, poetry and theater, with the participation of artists as diverse as Jean Cocteau, Pablo Picasso, Georges Braque, Erik Satie and Darius Milhaud. With his wife Edith, Étienne de Beaumont Comandita films and avant-garde ballets, and after the war, founded the « Franco-American Association ‘who financed many important exhibitions. Paul Morand, Maurice Sachs, Jean Cocteau, Marc Allégret Bernard Faÿ, Leonide Massine, Lucien Daudet, René Crevel described the extraordinary personality of the Comte de Beaumont; it is also the model of the main character of the second novel by Raymond Radiguet, The Ball of Count Orgel. imec

anomyme, Suit designed by the famous designer Conte Etiene Beaumont, known for its grand masked balls in the years 20-25

Anomyme, Suit designed by the famous designer Comte Etienne de Beaumont, known for its grand masked balls in the years 20-25

anomyme, Costume designed and worn by the famous designer Conte Etiene Beaumont, known for its grand masked balls in the years 20-25

anomyme, Costume designed and worn by the famous designer Conte Etiene Beaumont, known for its grand masked balls in the years 20-25

Etienne de Beaumont and his wife dressed in costumes created by himself (Baroque Dance), 1920s

Etienne de Beaumont and his wife dressed in costumes created by himself (Baroque Dance), 1920s

anomyme, Costume designed and worn by the famous designer Conte Etiene Beaumont, known for its grand masked balls in the years 20-25

anomyme, Costume designed and worn by the famous designer Conte Etiene Beaumont, known for its grand masked balls in the years 20-25

Some example could wear costumes that participants Beaumont balls created by the greatest designers of the time.

Man Ray- Mrs. Errazuriz, Picasso and Olga (his wife) to the ball of Beaumont Count 1924

Man Ray- Mrs. Errazuriz, Picasso and Olga (his wife) to the ball of Beaumont Count 1924

Man Ray- Picasso his wife Olgaet two unidentified persons at a ball of Count Etienne de Beaumont, 1924

Man Ray, Ricardo Viñes, Olga Picasso, Picasso and painter Manolo Ortiz Angeles to a ball of Count Etienne de Beaumont, 1924

Man Ray - Gerald Murphy and his wife, Sara, dressed for a ball of Count Etienne de Beaumont, Montparnasse in 1922

Man Ray – Gerald Murphy and his wife, Sara, dressed for a ball of Count Etienne de Beaumont, Montparnasse in 1924

Man Ray - Gerald Murphy A ball of Count Etienne de Beaumont, Montparnasse in 1922

Man Ray – Gerald Murphy A ball of Count Etienne de Beaumont, Montparnasse in 1924


Man Ray – unidentified person at the ball of Beaumont, 1924

Man Ray unidentified person at the ball of Beaumont, 1924

 Tzara and Man Ray Nancy Cunard at the ball of Beaumont Count 1924

Tzara and Man Ray Nancy Cunard at the ball of Beaumont Count 1924

Man Ray – Unidentified Persons to the ball of Beaumont in 1924

-The Man Ray Viscountess of Noailles the Ball Count E. de Beaumont, 1928

Denishawn dancers

White Studio (New York, N.Y.)- Doris Humphrey, Charles Weidman and Denishawn dancers in Sonata Tragica,1923  , Doris Humphrey’s first programmed credit for choreography. Other dancers are Louise Brooks, Lenore Sadowska, Anne Douglas, Lenore Scheffer, Geordie Graham, and Lenore Hardy.

White Studio (New York, N.Y.)- Doris Humphrey, Charles Weidman and Denishawn dancers in Sonata Tragica,1923  ,

White Studio (New York, N.Y.)- Doris Humphrey, Charles Weidman and Denishawn dancers in Sonata Tragica,1923 , Doris Humphrey’s first programmed credit for choreography. Other dancers are Louise Brooks, Lenore Sadowska, Anne Douglas, Lenore Scheffer, Geordie Graham, and Lenore Hardy.

František Drtikol

 

frantisek-drtikol-gelatin-silver-print-from-port

Frantisek Drtikol- Untitled, 1930s

 

 

frantisek-drtikol-dancing-nudes

Frantisek Drtikol-  Dancing nudes, Nd

 

frantisek-drtikol-nude-1920

Frantisek Drtikol – Nude, 1920

 

frantisek-drtikol-sitting-nude-1930

Frantisek Drtikol- Sitting nude, 1930

 

frantisek-drtikoluntitled-nude-bust-1920s-gelatin-silver-print

Frantisek Drtikol- Untitled nude bust, 1920s

frantisek-drtikol-nude-no-86-green-tone-of-the-original-original-bromografie-20s_e

Frantisek Drtikol- Nude No-86? green tone of the origina,    bromografie, 1920s

 

frantisek-drtikol-gzovska-olga-vladimirovna-russian-actress-1912

Frantisek Drtikol- Gzovska Olga Vladimirovna ( RussianA ctress) , 1912

 

frantisek-drtikol-1883-1961-draped-nude-with-circle-1928-vintage-silver-print-bromografia-on-rose-toned-paper

Frantisek Drtikol- Draped nude with circle, 1928

 

 

frantisek-drtikol-le-mouvement-1927

Frantisek Drtikol- Le mouvement, 1927

František Drtikol -The dancer Ervina Kupferova dressed as a princess adored by two servants, 1919, , pHraha, pigment print

František Drtikol -The dancer Ervina Kupferova , 1920, Gelatin silver print

frantisek-drtikol-the-dancer-ervina-kupferova-dressed-as-a-princess-adored-by-two-servants-1919-phraha-pigment-print

František Drtikol -The dancer Ervina Kupferova dressed as a princess adored by two servants, 1919, pigment print

frantisek-drtikol-1883-1961-nu-1925-carte-photo-tirage-argentique_e

Frantisek-Drtikol- Nu,1925, carte postale , Tirage argentique

frantisek-drtikol-nude-with-flowers-c-1925-gelatin-silver-prints

Frantisek Drtikol- Nude with flowers, c 1925, gelatin silver print

 

frantisek-drtikol-akt-c-18-la-femme-avec-le-crane-1920

Frantisek Drtikol-Akt (Nude) , 1918 -1920

 

frantisek-drtikol-drtikol-nude-1920_e

Frantisek Drtikol- Nude, 1920

frantisek-drtikoluntitled-nude-compositions-1930s-gelatin-silver-print

Frantisek Drtikol-  Untitled nude,  compositions, 1930s

 

frantisek-drtikol-female-with-arms-raised-1920-gelatin-silver-print

Frantisek Drtikol- Female with arms raised, 1920

 

frantisek-drtikol-1883-1961-untitled-female-nude-leaning-upwards-1920s

Frantisek Drtikol- Untitled female nude leaning upwards, 1920s

 

frantisek-drtikol-1883-1961-untitled-nude-vers-1925-tirage-contact-depoque-monte-sur-carton-via-acturial_e

Frantisek Drtikol-1 Untitled-nude , around , 1925

frantisek-drtikol-untitled-compositions-with-pairs-of-nudes-c-1912-1920s-gelatin-silver-prints

Frantisek Drtikol- Untitled compositions with pairs of nudes-, 1912-1920s

Frantisek Drtikol- Untitled compositions with pairs of nudes-, 1912-1920s

Frantisek Drtikol- Untitled compositions with pairs of nudes-, 1912-1920s

 

frantisek-drtikol-two-nudes-with-skull-c-1912-gelatin-silver-print

Frantisek Drtikol- Two nudes with skull, c 1912

 

frantisek-drtikol-two-nudes-with-skull-c-1912-gelatin-silver-print-1

Frantisek Drtikol- Untitled compositions with pairs of nudes-, 1912-1920s

 

frantisek-drtikol-1883-1961-standing-nude-with-veil-1923-vintage-silver-print-bromografia-on-blue-toned-paper-printed-in-the-1920s

Frantisek Drtikol – Standing nude with veil, 1923

 

frantisek-drtikol-1883-1961-nude-with-veil-1923-vintage-silver-print-bromografia-on-green-toned-paper-printed-in-the-1920s

Frantisek Drtikol – Standing nude with veil, 1923

 

frantisek-drtikol-sans-titre-vers-1930-1-collections-du-musee-de-la-photographie-charleroi-_e

Frantisek Drtikol -Sans titre, vers 1930, Collections du musee de la photographie Charleroi

 

František-Drtikol- Dancer, 1914.

 

 

Protégé : © William Mortensen (American 1897-1965)

Cet article est protégé par un mot de passe. Pour le lire, veuillez saisir votre mot de passe ci-dessous :

Carlo Wulz – Nude, 1920/ Marguerite Duras

« Il me dit que je suis son seul amour, et c’est ça qu’il doit dire et c’est ça qu’on dit quand on laisse le dire se faire, quand on laisse le corps faire et chercher et trouver et prendre ce qu’il veut, et là tout est bon, il n’y a pas de déchet, les déchets sont recouverts, tout va dans le torrent, dans la force du désir. »
Marguerite Duras,  L’Amant , Éd.• de Minuit, 1984

Carlo Wulz – Nude, 1920

Carlo Wulz – Nude, 1920

Francis Picabia

 Francis Picabia- “Notre-Dame de la Peinture”, in 391, (n°14), 1920

François Antoine Vizzavona (1876-1961)

François Antoine Vizzavona etait une photographe français collaborant beaucoup avec les artistes de son époque à la fois en photographiant leur modèles au sein de leurs ateliers afin qu’il puisse travailler à partir des photos ( tout comme l’a fait Mucha à cette même époque d’ailleurs), nouveau procédé par lequel les peintres etaient attirés.Mais il fût aussi le photographe exclusif pour de nombreux salons d’art entre 1900 et 1915, ce qui lui valut d’être le principal photographe des oeuvres picturales de l’époque.

toutes ses photographies ont etaient données et se trouvent Ici

François Antoine Vizzavona  - Portrait document pour le peintre Romaine Brooks, probablement entre 1915-20 (C)  Franck Raux

François Antoine Vizzavona – Portrait document pour le peintre Romaine Brooks, probablement entre 1915-20 (C) Franck Raux  voirl’article sur Romaine Brooks ici  et Ici ( article sur la danseuse Ida Rubinstein)

François Antoine Vizzavona-Portrait d’un modèle de Marthe Jouanne-Hugonnet,1922

Vizzavona François Antoine- « Coquetterie » Portrait d’un modèle de Marthe Jouanne-Hugonnet, 1922
[exposé au Salon des Artistes Français de 1922]

François Antoine Vizzavona -Portrait document pour bernard Joseph ( sans certitude), 1899  (C)  Daniel Arnaudet

François Antoine Vizzavona -Portrait document pour bernard Joseph ( sans certitude), 1899 (C) Daniel Arnaudet

François Antoine Vizzavona -Armand Dayot (1851-1934), créateur et directeur de la Revue l'Art et les Artistes, En compagnie de sa femme, et sa fille déguisés en Espagnol, 1909 (C) RMN

François Antoine Vizzavona -Armand Dayot (1851-1934), créateur et directeur de la Revue l’Art et les Artistes, En compagnie de sa femme, et sa fille déguisés en Espagnol, 1909 (C) RMN

Lejaren A Hiller- Unidentified woman, 1920

Lejaren à Hiller- Unidentified woman, 1920

 

Dolores Costello – c. 1920s

Photographer unknown- portrait of Dolores Costello - c. 1920s

Photographer unknown- portrait of Dolores Costello – c. 1920s

20130813-092631.jpg

Photographer unknown- portrait ofDoloresCostello – c. 1920s

20130813-092639.jpg

Photographer unknown- portrait ofDoloresCostello – c. 1920s

20130813-092644.jpg

Photographer unknown- portrait ofDoloresCostello – c. 1920s

20130813-092650.jpg

Photographer unknown- portrait ofDoloresCostello – c. 1920s

 

Edwin Bower Hesser- Bessie Love, 1920

Edwin Bower Hesser- Bessie Love, 1920

Tina Modotti

Photographer unknown – Tina Modotti in Hollywood, 1920-21.  from Tina Modotti A fragile Life, by Midred Constantine, Rizzoli International Publications, 1983.