Lejaren A. Hiller

Lejaren Hiller Sr. / Lejaren à Hiller / John Hiller (3 July 1880 – 23 May 1969) was an accomplished American illustrator and photographer.

 

Born as John Hiller in Milwaukee, Wisconsin, he changed his name to Lejaren à Hiller when he moved from New York City. He studied painting and illustration at the Chicago Art Institute and travelled to Paris where he found work in a number of studios. By the early 1900s his attention turned to photography and he was widely regarded as the « creator of American photographic illustration ».

Hiller was known for dramatically staged tableaux. He would spend considerable time and effort in arranging the set and models, while an assistant took the photograph, making Hiller’s contribution more directorial than photographic. He was more interested in the final result than the means used to achieve it and is remembered for saying:

« If a man wants to strangle his wife and throw her in the kitchen sink, let him do it any way he wants to. If he’s doing it awkwardly, or not the way I’d do it, all right — it’s a good job so long as he gets her into the sink, completely strangled.« 

From 1927-50 Hiller was commissioned by Davis & Geck to produce the prints for a series of historic advertisements entitled “Sutures in Ancient Surgery,” and published in 1944 as “Surgery through the Ages”. Hiller used elaborate costumes, dramatic backdrops and lighting, and had half-clad models posing as patients. The images depicted a broad range from mediaeval and Aztec surgeons, to surgeons from ancient Egypt and India. The collection was widely acclaimed, and in 1937 won the Edward Bok Award for advertising. The originals of this series were donated to the Art Institute of Chicago.

Hiller also created a series of photographic posters for the US Armed Forces during World War II.

See the first article HERE

                                                                       Lejaren A. Hiller- Woman in Costume, ca. 1920

Lejaren A Hiller Woman in Costume,1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A Hiller Semi-Nude Woman In Costume Dancing 1920 positive, gelatin on glass

Lejaren A Hiller Semi-Nude Woman, Man In Costume Dancing 1920 positive, gelatin on glass

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A Hiller Woman in Costume,1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Nude Woman Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A Hiller -Nude Woman ith veil, 1920 positive, gelatin on glass

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Lejaren A. Hiller -Semi-Nude Woman in Costume and Pose ca. 1920

Bal au château des Noailles vers 1929

Man Ray.-Bal au château des Noailles vers 1929.© Guy Carrard – Centre PompidouMan Ray Trust -Adagp, Paris

 

Man Ray- Bal au château des Noailles vers 1929.© Philippe Migeat- Centre Pompidou -Man Ray Trust - Adagp, Paris

Man Ray- Bal au château des Noailles vers 1929.© Philippe Migeat- Centre Pompidou -Man Ray Trust – Adagp, Paris

Carmel Myers

Carmel Myers ( silent film actress) portrait by Cinemagazine, 1920 [ Maybe by Clarence Sinclair Bull] - Copie

Carmel Myers ( silent film actress) portrait for/by Cinemagazine, 1920 [ Maybe by Clarence Sinclair Bull]

Clarence Sinclair Bull-Portrait of Carmel Myers, 1920

Clarence Sinclair Bull-Portrait of Carmel Myers, 1920

 Ruth Harriet Louise for Mgm Carmel Myers in Ben Hur , A tale of the Christ directed by Fred Niblo, costume by Erté, 1925.

Ruth Harriet Louise for MGM Carmel Myers in Ben Hur , A tale of the Christ directed by Fred Niblo, costume by Erté, 1925.

Carmel Myers in Ben Hur , A tale of the Christ directed by Fred Niblo, costume by Erté, 1925.

Carmel Myers in Ben Hur , A tale of the Christ directed by Fred Niblo, costume by Erté, 1925.

Carmel Myers in Ben Hur ,n A tale of the Christ directed by Fred Niblo, costume by Erté, 1925.

Carmel Myers in Ben Hur ,A tale of the Christ directed by Fred Niblo, costume by Erté, 1925.

Carmel Myers in Ben Hur ,A tale of the Christ directed by Fred Niblo, costume by Erté, 1925.

Carmel Myers in Ben Hur ,A tale of the Christ directed by Fred Niblo, costume by Erté, 1925.

Madame d’Ora- Maria Conte, 1920s

Madame d’Ora -Maria Conte, 1920s

Comte Etienne de Beaumont , connu pour ses grand bals masqués dans les années 20-25

The Count Etienne de Beaumont, a wealthy descendant of one of the great families of France, was both a ballet set designer, costumes and jewelery, a painter, an accomplished socialite, known for its masked balls and a generous patron, especially for the Ballets Russes of Serge Diaghilev, passionate contemporary arts.

On May 17, 1924, he inaugurated the ‘Soirees de Paris’ Théâtre de la Cigale in Montmartre. They only last a year, combining music hall performances, ballet, poetry and theater, with the participation of artists as diverse as Jean Cocteau, Pablo Picasso, Georges Braque, Erik Satie and Darius Milhaud. With his wife Edith, Étienne de Beaumont Comandita films and avant-garde ballets, and after the war, founded the « Franco-American Association ‘who financed many important exhibitions. Paul Morand, Maurice Sachs, Jean Cocteau, Marc Allégret Bernard Faÿ, Leonide Massine, Lucien Daudet, René Crevel described the extraordinary personality of the Comte de Beaumont; it is also the model of the main character of the second novel by Raymond Radiguet, The Ball of Count Orgel. imec

anomyme, Suit designed by the famous designer Conte Etiene Beaumont, known for its grand masked balls in the years 20-25

Anomyme, Suit designed by the famous designer Comte Etienne de Beaumont, known for its grand masked balls in the years 20-25

anomyme, Costume designed and worn by the famous designer Conte Etiene Beaumont, known for its grand masked balls in the years 20-25

anomyme, Costume designed and worn by the famous designer Conte Etiene Beaumont, known for its grand masked balls in the years 20-25

Etienne de Beaumont and his wife dressed in costumes created by himself (Baroque Dance), 1920s

Etienne de Beaumont and his wife dressed in costumes created by himself (Baroque Dance), 1920s

anomyme, Costume designed and worn by the famous designer Conte Etiene Beaumont, known for its grand masked balls in the years 20-25

anomyme, Costume designed and worn by the famous designer Conte Etiene Beaumont, known for its grand masked balls in the years 20-25

Some example could wear costumes that participants Beaumont balls created by the greatest designers of the time.

Man Ray- Mrs. Errazuriz, Picasso and Olga (his wife) to the ball of Beaumont Count 1924

Man Ray- Mrs. Errazuriz, Picasso and Olga (his wife) to the ball of Beaumont Count 1924

Man Ray- Picasso his wife Olgaet two unidentified persons at a ball of Count Etienne de Beaumont, 1924

Man Ray, Ricardo Viñes, Olga Picasso, Picasso and painter Manolo Ortiz Angeles to a ball of Count Etienne de Beaumont, 1924

Man Ray - Gerald Murphy and his wife, Sara, dressed for a ball of Count Etienne de Beaumont, Montparnasse in 1922

Man Ray – Gerald Murphy and his wife, Sara, dressed for a ball of Count Etienne de Beaumont, Montparnasse in 1924

Man Ray - Gerald Murphy A ball of Count Etienne de Beaumont, Montparnasse in 1922

Man Ray – Gerald Murphy A ball of Count Etienne de Beaumont, Montparnasse in 1924


Man Ray – unidentified person at the ball of Beaumont, 1924

Man Ray unidentified person at the ball of Beaumont, 1924

 Tzara and Man Ray Nancy Cunard at the ball of Beaumont Count 1924

Tzara and Man Ray Nancy Cunard at the ball of Beaumont Count 1924

Man Ray – Unidentified Persons to the ball of Beaumont in 1924

-The Man Ray Viscountess of Noailles the Ball Count E. de Beaumont, 1928

La Danseuse de ballet moderne Ludmilla Speranzewa, 1ere danseuse du théâtre de Moscou Bolchoï ,photo prise à Berlin, 1926

Spaarnestad Photo for Het Leven magazine-La Danseuse de ballet moderne Ludmilla Speranzewa, 1ere danseuse du théâtre de Moscou Bolchoï ,photo prise à Berlin, 1926

Spaarnestad Photo for Het Leven magazine-La Danseuse de ballet moderne Ludmilla Speranzewa, 1ere danseuse du théâtre de Moscou Bolchoï ,photo prise à Berlin, 1926

 

Madame d’Ora – Princesse Leila Bederkhan, danseuse Kourde , 1930

Madame d’Ora - Princesse Leila Bederkhan, danseuse Kourde , 1930

Madame d’Ora – Princesse Leila Bederkhan, , 1930

Princess Leila Bederkhan, daughter of the great Bederkhan, who was Emir of Kurdistan under the reign of the Sultan Abdul Hamid, is causing a sensation on the Continent with her marvellous dancing. She dances solely in the Eastern style and has instituted a new vogue in the artistic circles on the Continent. She has been engaged to make a long tour in America

 

J. Cornelly

J. Cornelly- Model unknown, 1920s

 

Carole Lombard

Portrait of the Actress Carole Lombard

Marion Benda

Marion Benda

Bert- Burlesque Dancer, 1910’s french, postcard

Bert- Burlesque Dancer, 1910’s french, postcard

Bert- Burlesque Dancer, 1910’s french, postcard

 

 

Brassaï – Les Folies Bergère

© Brassai -fill aux Folies Bergeres, 1932

© Brassai -fille aux Folies Bergeres, 1932

© Brassai -L'Arc-en-Ciel aux Folies-Bergères-1932

© Brassai -L’Arc-en-Ciel aux Folies-Bergères-1932

© Brassaï-Le Dompteur et ses Fauves, vue des Coulisses des Folies-Bergere,1932.

© Brassaï-Le Dompteur et ses Fauves, vue des Coulisses des Folies-Bergere,1932.

Brassaï (Gyula Halasz) (1889 - 1984) la cage aux fauves, 1932 Gelatin silver print, printed c.1932

Brassaï (Gyula Halasz) (1889 – 1984) la cage aux fauves, 1932 Gelatin silver print, printed c.1932

Brassai (Ghula Halasz,1899-1984)-.Juan-les-pins, Folies Bergere, 1932

Brassai (Ghula Halasz,1899-1984)-.Juan-les-pins, Folies Bergere, 1932

© Brassaï-Backstage at Juan-les-Pins,the Folies-Bergere, 1932

© Brassaï-Backstage at Juan-les-Pins,the Folies-Bergere, 1932

Brassaï- Folies Bergères,c.1930-1932

Brassaï- Folies Bergère,c.1930-1932

Brassaï (Gyula Halasz) (1889 - 1984) l'oiseau de feu' aux folies bergeres, c.1932 Gelatin silver print, printed c.1932;

Brassaï (Gyula Halasz) (1889 – 1984) l’oiseau de feu’ aux folies bergeres, c.1932 Gelatin silver print, printed c.1932;

© Brassai -Girls anglaises dans leur loge aux Folies-Bergères, 1932

© Brassai -Girls anglaises dans leur loge aux Folies-Bergères, 1932

© Brassai -L'Araignée aux Folies-Bergères-1932

© Brassai -L’Araignée aux Folies-Bergères-1932

© Brassai -Le pompier de service aux Folies-Bergères-1932

© Brassai -Le pompier de service aux Folies-Bergères-1932

Die Odaliske, by Keystone revue des Monats Juin, 1930

Die Odaliske, by Keystone Published in revue des Monats Juin, 1930

Die Odaliske, by Keystone Published in revue des Monats Juin, 1930

Émil Otto Hoppé (1878 – 1972)

Emil Otto Hoppé fut l’un des artistes les plus importants et l’un des  photographes « documentaires » de l’ère moderne, dont le succès artistique rivalisait avec ceux de ses pairs, Alfred Stieglitz (1864-1946), Edward Steichen (1879-1973) et Walker Evans ( 1903-1975). Hoppé était l’un des portraitistes les plus célèbres de son époque, tout autant qu’un photographe de scènes de rue et de paysages  éblouissants  et photographe rapportant de sublimes clichés de ses voyage en Inde Afrique et Asie ( qui feront eux l’objets d’un autre article , prochainement )
Ses portraits étonnamment modernistes décrivent un monde virtuel qui est qui de personnalités importantes dans les arts, la littérature et la politique en Grande-Bretagne et aux États-Unis entre les deux guerres. Parmi les centaines de personnalités bien connues qu’il a photographiés étaient George Bernard Shaw, HG Wells, AA Milne, T.S. Eliot, Ezra Pound, G.K. Chesterton, Léon Bakst, Vaslav Nijinsky et les danseurs des Ballets russes, et la reine Marie, le roi George, et d’autres membres de la Royal Family. Il a débuté la photographie d’art en 1903,  Hoppé a été admis en tant que membre de la « Royal Photographic Society » où, au cours de quatre années qui suivent , il expose régulièrement ses œuvres photographiques d’amateur.
Son oeuvre  lui ont valu la réputation d’être le plus influent photographe international de Grande-Bretagne entre 1907 et 1939 . Vous trouverez des biographies bien plus complètes un peut partout sur le net.
Bien sur comme d’habitude je me contenterai de ses nus aujourd’hui ainsi que ses magnifiques portraits et quelques clichés sur la danse, sujet de prédilection ici aussi sur ce blog.
©  Émil Otto Hoppé © NPG
Les portraits
Emil Otto Hoppé –Mona Maris, UFA Studio actress, Berlin, 1929

Emil Otto Hoppé –Mona Maris, UFA Studio actress, Berlin, 1929 ©  Émil Otto Hoppé © NPG

E.O.Hoppé - Mona Maris,Berlin, 1929 for LIFE

E.O.Hoppé – Mona Maris,Berlin, 1929 for LIFE ©  Émil Otto Hoppé © NPG

Émil Otto Hoppé-Dorothy Gish, 1925

Émil Otto Chopé-Dorothy Gish, 1925 ©  Émil Otto Hoppé © NPG

Émil Otto Hoppé- Ann Hayes, 1930

Émil Otto Hoppé- Ann Hayes, 1930 ©  Émil Otto Hoppé © NPG

Emil Otto ('E.O.') Hoppé- Beatrice Appleyard, 1934

Emil Otto  Hoppé- The dancer Beatrice Appleyard, 1934 ©  Émil Otto Hoppé © NPG

E.O. Hoppé- Dancer Beatrice Appleyard, 1934

E.O. Hoppé- Dancer Beatrice Appleyard, 1934 ©  Émil Otto Hoppé © NPG

Émil Otto Hoppé- Ann Hayes, 1930

Émil Otto Hoppé- Ann Hayes, 1930 ©  Émil Otto Hoppé © NPG

 Emil Otto ('E.O.') HoppÈ, Hebe (née Constance Irene Vesselier) (Mrs Kingsland), 1917

Emil Otto Hoppé-  Hebe (née Constance Irene Vesselier) (Mrs Kingsland), 1917 ©  Émil Otto Hoppé © NPG

Emil Otto Hoppé- Hebe (née Constance Irene Vesselier) (Mrs Kingsland), 1917

Emil Otto Hoppé- Hebe (née Constance Irene Vesselier) (Mrs Kingsland), 1917 ©  Émil Otto Hoppé © NPG

Émil Otto Hoppé – Margot Fonteyn, 1935

Émil Otto Hoppé – Margot Fonteyn, 1935 ©  Émil Otto Hoppé © NPG

E. O. Hoppé- Alla Nazimova , for Life 1936

E. O. Hoppé- Alla Nazimova , for Life 1936 ©  Émil Otto Hoppé © NPG

Émil Otto Hoppé-Lilian Gish, United States, 1921 ©  Émil Otto Hoppé © NPG

Émil Otto Hoppé –Sylvia Gough, 1916

Émil Otto Hoppé –Sylvia Gough, 1916 ©  Émil Otto Hoppé © NPG

Émil Otto Hoppé – Lubov Tchernyshova, 1920

Émil Otto Hoppé – Lubov Tchernyshova, 1920 ©  Émil Otto Hoppé © NPG

E. O. Hoppé - Mrs. Ed Kraig, England 1922

E. O. Hoppé – Mrs. Ed Kraig, England 1922 ©  Émil Otto Hoppé © NPG

E. O. Hoppé - Ms. Margot Burke, England 1922

E. O. Hoppé – Ms. Margot Burke, England 1922 ©  Émil Otto Hoppé © NPG

E. O. Hoppé - Ms. Ann Hayes, England 1934

E. O. Hoppé – Ms. Ann Hayes, England 1934 ©  Émil Otto Hoppé © NPG

E. O. Hoppé - Ms. Imogene Robertson, pearls advertisement, USA 1924

E. O. Hoppé – Ms. Imogene Robertson, pearls advertisement, USA 1924 ©  Émil Otto Hoppé © NPG

Émil Otto Hoppé-Lady Hazel Lavery, United States, 1916

Émil Otto Hoppé-Lady Hazel Lavery, United States, 1916 ©  Émil Otto Hoppé © NPG

 Emil Otto ('E.O.') HoppÈ, Dorothy Dickson, 1925

Emil Otto  Hoppé- Dorothy Dickson, 1925 ©  Émil Otto Hoppé © NPG

Emil Otto ('E.O.') Hoppé-- Seated Woman in Profile , 1928

Emil Otto Hoppé- Seated Woman in Profile , 1928 ©  Émil Otto Hoppé © NPG

Émil Otto Hoppé-Mika Mikum, Poland, 1916

Émil Otto Hoppé- Mika Mikum, Poland, 1916 ©  Émil Otto Hoppé © NPG

 Emil Otto ('E.O.') HoppÈ, Anna Mae Wong, 1926

Emil OttoHoppé- Anna Mae Wong, 1926 ©  Émil Otto Hoppé © NPG

Emil Otto  Hoppé- Anna May Wong, 1926 ©  Émil Otto Hoppé © NPG

Miss Wellington Koo, Japan, 1921

Emil Otto  Hoppé- Miss Wellington Koo, Japan, 1921 ©  Émil Otto Hoppé © NPG

Émil Otto Hoppé -Sculptured and Living Beauty, 1924

Émil Otto Hoppé -Sculptured and Living Beauty, modele Imogene Robertson 1924 ©  Émil Otto Hoppé © NPG

Emil Otto Hoppé - Portrait de L' actrice Brigitte Helm, 1928

Emil Otto Hoppé – Portrait de L’ actrice Brigitte Helm, 1928 ©  Émil Otto Hoppé © NPG

 Emil Otto ('E.O.') Hoppé- Teddie Gerard, 1917

Emil Otto Hoppé- Teddie Gerard, 1917 ©  Émil Otto Hoppé © NPG

E. O. Hoppé - Diana, Viscountess Norwich (Lady Diana Cooper),modern bromide print, January 1916

E. O. Hoppé – Diana, Viscountess Norwich (Lady Diana Cooper),modern bromide print, January 1916 ©  Émil Otto Hoppé © NPG

E.O. Hoppé, Lady Lavery, 1916

E.O. Hoppé- Lady Lavery, 1916 ©  Émil Otto Hoppé © NPG

Emil Otto ('E.O.') Hoppé,

Emil Otto Hoppé- Dowager Viscountess Masserene, Scotland, 1916 ©  Émil Otto Hoppé © NPG

E. O. Hoppé - Hazel (née Martyn), Lady Lavery, 1916 gelatin silver print,

E. O. Hoppé – Hazel (née Martyn), Lady Lavery, 1916 gelatin silver print ©  Émil Otto Hoppé © NPG

Emil Otto ('E.O.') HoppÈ, Rebecca West 1923

Emil Otto Hopé- Rebecca West 1923 ©  Émil Otto Hoppé © NPG

Emil Otto ('E.O.') HoppÈ,

Emil Otto  Hoppé – Portrait Harriet Cohen,, vintage bromide print, 24 July 1920 ©  Émil Otto Hoppé © NPG

Emil Otto ('E.O.') Hoppé, vintage bromide print, 24 July 1920

Emil Otto  Hoppé,Harriet Cohen, vintage bromide print, 24 July 1920 ©  Émil Otto Hoppé © NPG

Emil Otto ('E.O.') Hoppé,

Emil Otto Hoppé – Harriet Cohen,Portrait , vintage bromide ,1920 ©  Émil Otto Hoppé © NPG

E.O.Hoppé -Princess White Deer (Esther Louise Georgette Deer) ,1921

E.O.Hoppé -Princess White Deer (Esther Louise Georgette Deer) ,1921 ©  Émil Otto Hoppé © NPG

E. O. Hoppé -Marion Davies, janvier 1921 photogravure

E. O. Hoppé -Marion Davies, janvier 1921 photogravure ©  Émil Otto Hoppé © NPG

E. O. Hoppé - Mdlle Raymonde Thuillier, 1915 photogravure

E. O. Hoppé – Mdlle Raymonde Thuillier, 1915 photogravure ©  Émil Otto Hoppé © NPG

E. O. Hoppé - Madame Wellington Koo (née Hui-lan Oei), 1921, photogravure,

E. O. Hoppé – Madame Wellington Koo (née Hui-lan Oei), 1921, photogravure ©  Émil Otto Hoppé © NPG

E. O. Hoppé – Diana, Viscountess Norwich (Lady Diana Cooper), photogravure, 1916 © Émil Otto Hoppé © NPG

E. O. Hoppé – Diana, Viscountess Norwich (Lady Diana Cooper), photogravure, 1916 © Émil Otto Hoppé © NPG

E. O. Hoppé - Malvina Longfellow, 1921, photogravure

E. O. Hoppé – Malvina Longfellow, 1921, photogravure ©  Émil Otto Hoppé © NPG

Les Nus

Emil Otto Hoppé – Diane Verue, 1922

Emil Otto Hoppé – Diane Verue, 1922 ©  Émil Otto Hoppé © NPG

Emil Otto Hoppé-Nude Gypsy from Romania. sepia-toned photogravure. 1920s

Emil Otto Hoppé-Nude Gypsy from Romania. sepia-toned photogravure. 1920s ©  Émil Otto Hoppé © NPG

Emil Otto Hoppé- Seated Female Nude. ( Doris Leigh)1920s

Emil Otto Hoppé- Seated Female Nude. ( Doris Leigh)1920s ©  Émil Otto Hoppé © NPG

Emil Otto Hoppé – Nude with birdcage, 1922

Emil Otto Hoppé – Nude with birdcage, 1922 ©  Émil Otto Hoppé © NPG

Emil Otto Hoppé – Nude with birdcage, 1922 (2)

Emil Otto Hoppé – Nude with birdcage, 1922 ©  Émil Otto Hoppé © NPG

E. O. Hoppé- Miss Friesley, 1924

E. O. Hoppé- Miss Friesley, 1924 ©  Émil Otto Hoppé © NPG

Émil Otto Hoppé-Nellie Tamcer, 1926

Émil Otto Hoppé-Nellie Tamcer, 1926 ©  Émil Otto Hoppé © NPG

E. O. Hoppé- Pamela Deering, 1932 © Émil Otto Hoppé © NPG

E. O. Hoppé- Pamela Deering, 1932 © Émil Otto Hoppé © NPG

E. O. Hoppé- Rhoda Beasley, 1935 © Émil Otto Hoppé © NPG

E. O. Hoppé- Rhoda Beasley, 1935 © Émil Otto Hoppé © NPG

E. O. Hoppé- Nude Model, 1924 © Émil Otto Hoppé © NPG

E. O. Hoppé- Nude Model, 1924 © Émil Otto Hoppé © NPG

Emil Otto Hoppé –Miss Vernon, 1924

Emil Otto Hoppé –Miss Vernon, 1924 ©  Émil Otto Hoppé © NPG

E. O. Hoppé- Pepita Bobadilla, english actress 1919

E. O. Hoppé- Pepita Bobadilla, english actress 1919 ©  Émil Otto Hoppé © NPG

E. O. Hoppé- Pepita Bobadilla, english actress 1919

E. O. Hoppé- Pepita Bobadilla, english actress 1919 ©  Émil Otto Hoppé © NPG

Émil Otto Hoppé-Kathleen Edwards, 1936

Émil Otto Hoppé-Kathleen Edwards, 1936 ©  Émil Otto Hoppé © NPG

E. O. Hoppé - Ms. Diana Verne, dancer with snake, England 1922

E. O. Hoppé – Ms. Diana Verne, dancer with snake, England 1922 ©  Émil Otto Hoppé © NPG

Ruby Lorraine, 1918

Emil Otto Hoppé – Ruby Lorraine, 1918 ©  Émil Otto Hoppé © NPG

Emil Otto Hoppé - Yvonne.1933

Emil Otto Hoppé – Yvonne.1933 ©  Émil Otto Hoppé © NPG

Émil Otto Hoppé – Unidentified Sitter,1932 ©  Émil Otto Hoppé © NPG

Émil Otto Hoppé – Miss Floyd, 1924 ©  Émil Otto Hoppé © NPG

La danse ( d’autres portraits de danseurs au debut)

Ted Shawn in 'Tillers Of The Soil', 1922

Ted Shawn in ‘Tillers Of The Soil’, 1922 ©  Émil Otto Hoppé © NPG

Emil Otto Hoppé – Portrait de La danseuse Tilly Losch, 1928

Emil Otto Hoppé – Portrait de La danseuse Tilly Losch, 1928 ©  Émil Otto Hoppé © NPG

Emil Otto Hoppé – Portrait de Clotilde Van Derp, 1911

Emil Otto Hoppé – Portrait de Clotilde Van Derp, 1911 ©  Émil Otto Hoppé © NPG

E.O.Hoppé - Anna Pavlova with Novikoff, 1923

E.O.Hoppé – Anna Pavlova with Novikoff, 1923 ©  Émil Otto Hoppé © NPG

E. O. Hoppé - Sophie Fedorova as Ta-Hor in Cleopatra, 1911, photogravure

E. O. Hoppé – Sophie Fedorova as Ta-Hor in Cleopatra, 1911, photogravure ©  Émil Otto Hoppé © NPG

E. O. Hoppé - Tamara Karsavina as the Firebird in 'L'Oiseau de Feu' (The Firebird), 1911 photogravure,

E. O. Hoppé – Tamara Karsavina as the Firebird in ‘L’Oiseau de Feu’ (The Firebird), 1911 photogravure, ©  Émil Otto Hoppé © NPG

E. O. Hoppé - Malvina Adolph Bolm as the Prince and Tamara Karsavina as Queen Thamar in Thamara, 1912 photogravure

E. O. Hoppé – Malvina Adolph Bolm as the Prince and Tamara Karsavina as Queen Thamar in Thamara, 1912 photogravure ©  Émil Otto Hoppé © NPG

E. O. Hoppé - Carmen Tórtola Valencia, photogravure,1910

E. O. Hoppé – Carmen Tórtola Valencia, photogravure,1910 ©  Émil Otto Hoppé © NPG

EMIL OTTO HOPPÉ (British, 1878-1972). Martha Graham, circa 1920

Emil Otto  Hoppé- Martha Graham, 1920 ©  Émil Otto Hoppé © NPG

20131112-003603.jpg

Emil Otto Hoppé – Michio Ito, Japanese Dancer , 1916 ©  Émil Otto Hoppé © NPG

EMIL OTTO HOPPE

Emil Otto Hoppé – Kathleen Martyn, 1917 ©  Émil Otto Hoppé © NPG

Émil Otto Hoppé-Birdie courtenay models a feathered headdress, 1918

Émil Otto Hoppé-Birdie courtenay models a feathered headdress, 1918 ©  Émil Otto Hoppé © NPG

Sources

et aussi

Ici des chichés scènes de rues et des paysages

Ici près de 200 portraits

Émil Otto Hoppé- Self-portrait

Émil Otto Hoppé- Self-portrait,Londres, 1925 ©  Émil Otto Hoppé © NPG

Olive Ann Alcorn

The Actress, Olive Ann Alcorn, 1925

The Actress, Olive Ann Alcorn, 1925

The Actress, Olive Ann Alcorn, 1925

The Actress, Olive Ann Alcorn, 1925

The Actress, Olive Ann Alcorn, 1925

The Actress, Olive Ann Alcorn, 1925

The Actress, Olive Ann Alcorn, 1925

The Actress, Olive Ann Alcorn, 1925

The Actress, Olive Ann Alcorn, 1925

The Actress, Olive Ann Alcorn, 1925

Olive Ann Alcorn c. 1914

Olive Ann Alcorn c. 1914

 

Charlie Chaplin with Olive Ann Alcorn, Edna Purviance, Willie Mae Carson, & Helen Kohn as ‘The Nymphs’ in Sunnyside,1919

Charlie Chaplin with Olive Ann Alcorn, Edna Purviance, Willie Mae Carson, & Helen Kohn as ‘The Nymphs’ in Sunnyside,1919

Charlie Chaplin with Olive Ann Alcorn, Edna Purviance, Willie Mae Carson, & Helen Kohn as ‘The Nymphs’ in Sunnyside,1919

Charlie Chaplin with Olive Ann Alcorn, Edna Purviance, Willie Mae Carson, & Helen Kohn as ‘The Nymphs’ in Sunnyside,1919

Charlie Chaplin with Olive Ann Alcorn, Edna Purviance, Willie Mae Carson, & Helen Kohn as ‘The Nymphs’ in Sunnyside,1919

Charlie Chaplin with Olive Ann Alcorn, Edna Purviance, Willie Mae Carson, & Helen Kohn as ‘The Nymphs’ in Sunnyside,1919

 

 

 

More  Olive Ann Alcorn By Xan Stark for Alta Studio