Minayoshi Takada (高田 皆義) (1889–1982)

les photographies de nus prises entre 1947 et 1950 par Minayoshi Takada ont  à la fois un intérêt  esthétique et érotique. En tant qu’ éditeur de magazine de photographies ,et developpeur,  il fût une figure influente de la photographie japonaise en matière de nus durant de nombreux années.

Dans un grand nombre de son travail, le corp des modèles sont étroitement encadrées et réduits à des éléments semi-abstraites, rappelant les nus composés d’Edward Weston à partir des années 1920. Ici, cependant, cette simplicité radicale est devenue un cliché, et il se tourne rapidement vers une conception plus « graphique » . Takada donne à ses images une touche surréaliste en développant des négatifs ensemble, combinant nus avec  des chaloupes, de fleurs et d’autres objets. Ces juxtapositions sont toujours formellement élégante et donne à ses images une étrangeté convaincante ainsi  qu’une suggestivité onirique.

 

Minayoshi Takada Nude , 1947

Minayoshi Takada Nude , 1947

Minayoshi Takada -Nude lying on sand,  e 1948

Minayoshi Takada -Nude lying on sand,  1948

Minayoshi Takada -Nude lying on sand, 1948

Minayoshi Takada -Tucked nude, 1948

Minayoshi Takada -   Nude by window, 1948

Minayoshi Takada – Nude by window, 1948

Minayoshi Takada -  Nude lying down, 1948

Minayoshi Takada – Nude lying down, 1948

Minayoshi Takada -  Nude lying , 1948

Minayoshi Takada – Nude lying , 1948

Minayoshi Takada-  Nude on Beach, 1948

Minayoshi Takada- Nude on Beach, 1948

Minayoshi Takada-  Kneeling Nude , 1948

Minayoshi Takada- Kneeling Nude , 1948

Minayoshi Takada- Nude on rocks, 1948

Minayoshi Takada- Nude on rocks, 1948

Minayoshi Takada -Nude perched on ground, 1948

Minayoshi Takada -Nude perched on ground, 1948

Minayoshi Takada -  Nude , 1948

Minayoshi Takada – Nude , 1948

Minayoshi Takada -   Nude leaning backwards, 1948

Minayoshi Takada – Nude leaning backwards, 1948

Minayoshi Takada - Nude looking over her shoulder, 1948

Minayoshi Takada – Nude looking over her shoulder, 1948

Minayoshi Takada -Nude with parasol, 1948

Minayoshi Takada -Nude with parasol, 1948

Minayoshi Takada- Double exposure- nude and leaves,1948

Minayoshi Takada- Double exposure- nude and leaves,1948

Minayoshi Takada- Double exposure, 1948

Minayoshi Takada- Double exposure, 1948

Minayoshi Takada-  Nude, Double Exposure, 1948

Minayoshi Takada- Nude, Double Exposure, 1948

Minayoshi Takada- Nude torso in shadow, 1948

Minayoshi Takada- Nude torso in shadow, 1948

Minayoshi Takada -  Nude , 1948

Minayoshi Takada – Nude , 1948

Minayoshi Takada -  Nude , 1948

Minayoshi Takada – Nude , 1948

Minayoshi Takada -Kimono, 1948

Minayoshi Takada -Kimono, 1948

Minayoshi Takada -   Nude with Flower , 1948

Minayoshi Takada – Nude with Flower , 1948

Minayoshi Takada- Canoe, 1950

Minayoshi TakadaCanoe, 1950

 

Minayoshi Takada -  The unknown, 1950

Minayoshi Takada – The unknown, 1950

Minayoshi Takada Double Exposure- Nude sitting with a rowing boat, c. 1948

Minayoshi Takada Double Exposure- Nude sitting with a rowing boat, c. 1948

budapestauction.com and arnet

Xan Stark – Plates

Alta Photos Sheet , 1920s

 

Alta Photos Sheet , 1920s

Alta Photos Sheet , 1920s

Alta Photos Sheet , 1920s

Alta Photos Sheet , 1920s

Alta Photos Sheet , 1920s

Alta Photos Sheet , 1920s

Alta Photos Sheet , 1920s

Alta Photos Sheet , 1920s

 

Voir Aussi Olive Ann Alcorn et Alta Studio Xan Stark

Emilio Sommariva- (1883 – 1956)

Emilio Sommariva est l’une des figures les plus importantes de l’histoire de la photographie italienne.

Fils d’un peintre et photographe, il a baih=gné très jeune dans cette ambiance artistique. A quatorze ans, il  déclare son intention de poursuivre une carrière artistique, et suit de  1897 à 1899 des cours du soir à l’École de l’Académie de Brera fleuri.( où sont aujourd’hui toutes ses archives)

En 1902, il ouvre son propre studio où il réalisera au debut enormément de portrait. Il s’est plus tard spécialisé dans les photos de groupe, et la photographie industrielleainsi que dans la  reproductions de peintures et de sculptures (il sera demandé par les artistes comme Umberto Boccioni, Harold Bonzagni, Carlo Carrà, par exemple)

En 1911, Sommariva  reçoit une médaille d’or à l’Exposition internationale de la science et de la Photographie de Rome et un diplôme d’honneur à l’Exposition industrielle de Turin.  Sa reconnaissance étant bien installée, il  devient le portraitiste en vogue  tant pour l’aristocratie, la bourgeoisie et le monde de l’art  de l’époque à Milan, tout en continuant à fournir ses services à l’industrie, l’architecture et la reproduction d’œuvres d’art .

Sommariva ets aussi connu  les photos de paysages et de  vues urbaines. Et beaucoup d’images sont le témoignage de divers aspects de la vie sociale de la classe aisée de cette époque

En 1922, il remporte le premier prix à l’Exposition internationale de photographie professionnelle à Londres. En 1923, il participe à l’Exposition Internationale de Photographie, Cinématographie Optique et Turin, en 1926, il a reçu le brevet de photographe de la Maison Royale ( mais il perdra ce titre en 1938, car non inscrit au parti fasciste!!!) En 1943  lors d’un attentat il a perd sa maison et son studio, mais la plupart des estampes et planches originales sont épargnés.

Sommaria ne fera que très peu de photographies de nus, je vous en ai choisies quelques une qui sont d’une qualité moyenne, je ne préfère pas mettre les autres qui sont vraiment presque difficile à regarder… vous pouvez les retrouver sur le site citer en bas de l’article Vous pouvez retrouvez plus de 4000 photographies Ici

.

Emilio Sommariva- Ritratto femminile.( portrait of woman) model  Lina Corsino, 1933

Emilio Sommariva- Ritratto femminile.( portrait of woman) model Lina Corsino, 1933

Emilio Sommariva- Ritratto femminile.( portrait of woman) model  Lina Corsino, 1933

Emilio Sommariva- Ritratto femminile.( portrait of woman) model Lina Corsino, 1933

Emilio Sommariva Nudo femminile, Milan, Italia, 1916 - 1924

Emilio Sommariva Nudo femminile, Milan, Italia, 1916 – 1924

Emilio Sommariva Nudo femminile, Milan, Italia, 1916 - 1924 2

Emilio Sommariva Nudo femminile, Milan, Italia, 1916 – 1924

Emilio Sommariva Nudo femminile, Milan, Italia, 1941-42

Emilio Sommariva Nudo femminile, Milan, Italia, 1941-42

Emilio Sommariva Nudo femminile, Milan, Italia, 1941 - 1942

Emilio Sommariva Nudo femminile, Milan, Italia, 1941 – 1942

Emilio Sommariva Nudo femminile, Milan, Italia, 1941 - 1942

Emilio Sommariva Nudo femminile, Milan, Italia, 1941 – 1942

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G.Albertino- Study of nude, 1930, Italian Postcard

G.Albertino- Study of nude, 1930, Italian Postcard

 

French Risque Postcard, 1910’s

Anonymous. French Risque Postcard, 1910’s

Anonymous. French Risque Postcard, 1910’s

Anonymous. French Risque Postcard, 1910’s

Anonymous. French Risque Postcard, 1910’s

Anonymous. French Risque Postcard, 1910’s

Anonymous. French Risque Postcard, 1910’s

Peter Stenzel- (hommage à lucien clergue),2009

Peter Stenzel- Nu zébré (hommage à lucien clergue),2009

Peter Stenzel- Nu zébré (hommage à lucien clergue),2009

Peter Stenzel- Nu zébré (hommage à lucien clergue),2009

Peter Stenzel- Nu zébré (hommage à lucien clergue),2009

Peter Stenzel- Tights, (hommage à lucien clergue),2009

Peter Stenzel- Tights, (hommage à lucien clergue),2009

 

 

Otto Schmidt

Otto Schmidt- Reclining female nude study, 1890s

Protégé : Scans from Laryew (Walery)- « Nus », Cent photographies originales, Paris , Ed° Librairie des Arts Décoratifs/ A. Calavas, 1924

Cet article est protégé par un mot de passe. Pour le lire, veuillez saisir votre mot de passe ci-dessous :

Bohumil Stastny -Nude Study, 1935

Bohumil Stastny -Nude Study,  1935

Madame d’Ora & Arthur Benda- Nude studies of the dancer Rigmor Rasmussen, 1920s.

Madame d’Ora & Arthur Benda- Nude studies of the dancer Rigmor Rasmussen, 1920s.

 

Karl F. Struss (1886 – 1981)

La réputation de Karl Struss (1886 – 1981) s’est faite lorsque Alfred Stieglitz choisi son travail en 1910 pour le  Salon International de Photographie picturale et par la suite pour le publier publié au sein du celèbre Camera Work en 1912.

Après avoir étudié avec Clarence White, ( avec qui il a travaillé sur la photographie de nu) et collaborer avec  Stieglitz , Karl Struss s’ installe  dans un studio en 1914. Il se spécialise dans le portrait, la publicité, et illustration de magazine. En 1919, Il ‘installe à Hollywood et  devient cameraman de Cecil B. DeMille. Il deviendra plus tard l’un des premiers cinéastes de la génération des fimls dits artistique tels que  Ben Hur (1925) et Sunrise (1927), pour lequel il a reçu le premier prix de l’Académie de la cinématographie.

Ses nus  représentent un changement radical par rapport aux photographies de  paysages architecturaux qui ont défini Sruss comme l’un des plus grands photographes de photo-sécessionniste du XXe siècle, mais ouvrent la voie aux générations futures de photographes de nu.

Publié & parF. Kotausek New York Cit en 1917 est un Portfolio de 48  images, comme l’indique  le titre. Certaines photos sont estampillées avec « Photo prise par Nicholas Muray » ( formidable photographe de la même époque) au verso, je vous indiquerai lesquelles ( avec les liens vers les musées attestant du fait.  Dans Female Figure Struss présente des études de nus, dont la majorité sont  tonalité sepia , mais quelques-unes sont été tirées à l’aide du processus expérimental de couleur Hess-Ives : une première tentative afin d’opérer des séparations de couleurs grâce à l’utilisation de  filtres colorés. Dans ces photographies, Karl Struss abandonne les propriétés du portrait de studio de routine et utilise un appareil photo 4×5 pouces afin  de créer un sentiment d’urgence et de mouvement. La série Female Figure  a libéré le corps de la femme des contraintes vestimentaires et du mouvement « classique », suggérant un retour à la nature.

En raison de sa technique, de nombreuses expositions ont été laissés un peu floue. Toutes les photos représentées dans Female Figure sont contre un mur ou en tissu (toile de fond), parfois drapé dans de la gaze transparente, tenant parfois un objet.

Bien que l’inspiration de M. Struss pour la figure féminine ne soit pas  claire, on soupçonne qu’il a été clairement influencé par le mouvement de la danse moderne, qui, s’est avéré extrêmement populaire auprès des photographes picturales de l’époque. En 1916, Karl Struss a travaillé pour la Compagnie d’opéra Metropolitan et le Ballet Russe, photographiant divers artistes.
Alors que Female Figure  a contribué à établir la norme pour la photographie de nu, elle passa sous contrôle judiciaire pendant cette période. En fait, l’éditeur de Struss a été menacé de poursuites pour distribution de pornographie.   Peu de temps après, les nus de grands artistes comme Frantisek Drtikol, Edward Weston, Man Ray et deviendraient des piliers de l’histoire du nu. mais Karl Kruss est donc le pionnier de cette nouvelle approche.

Il fût aussi très connu en tant que cinéaste des années 1900 aux années 1950 et a également été l’un des premiers pionniers de films en 3-D.

Karl F. Struss- Untitled, From the Series, The Female Figure (Nude in Profile with Arms Outstretched), 1917  published in 48 photographs of the female

Karl F. Struss- Untitled, From the Series, The Female Figure (Nude in Profile with Arms Outstretched), 1917 published in 48 photographs of the female

 From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

 From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female Karl Struss -Nude Kicking,  1917

From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female Karl Struss -Nude Kicking, 1917 ( format impression individuelle)

Karl F. Struss- Untitled, From the Series, The Female Figure (Nude in Profile Walking like an Egyptian), 1917  published in 48 photographs of the female

Karl F. Struss- Untitled, From the Series, The Female Figure (Nude in Profile Walking like an Egyptian), 1917 published in 48 photographs of the female

Karl F. Struss -  A Costumed Dancer,  1917

Karl F. Struss – A Costumed Dancer, 1917

Karl F. Struss Nude Draped in Gauze, plate 32 from the Series, The Female Figure, 1917

Karl F. Struss Nude Draped in Gauze, plate 32 from the Series, The Female Figure, 1917 here  other version

Karl Struss-Untitled,  1917 published in 48 photographs of the female

Karl Struss-Untitled, 1917 published in 48 photographs of the female

Karl Struss-Untitled,  From the Series, The Female Figure , 1917published in Karl Struss. From 48 photographs of the female

Karl Struss-Untitled, From the Series, The Female Figure , 1917  variante tirage individuel ( complètement différent)

Karl F. Struss   Untitled, (Standing Nude With Drapery), 1917published in 48 photographs of the female

Karl F. Struss Untitled, (Standing Nude With Drapery), 1917published in 48 photographs of the female

Karl F. Struss- Untitled,  , 1915  From the Series, The Female Figure, 1917  published in 48 photographs of the female

Karl F. Struss- Untitled, , 1915 From the Series, The Female Figure, 1917 published in 48 photographs of the female

Karl F. Struss- Untitled, From the Series, The Female Figure (Standing Nude With Drapery), 1917 1MURAY, NICHOLAS published in Karl Struss. From 48 photographs of the female

Karl F. Struss- Untitled, From the Series, The Female Figure (Standing Nude With Drapery), 1917 1MURAY, NICHOLAS published in Karl Struss. From 48 photographs of the female ( livre)

Karl F. Struss- Untitled, From the Series, The Female Figure (Standing Nude With Drapery), 1917 1MURAY, NICHOLAS_e

Karl F. Struss- Untitled, From the Series, The Female Figure (Standing Nude With Drapery), 1917 1MURAY, NICHOLAS (livre)

Karl F. Struss- Untitled, From the Series, The Female Figure (Standing Nude With Drapery), 1917 1MURAY, NICHOLAS_e

Karl F. Struss- Untitled, From the Series, The Female Figure (Standing Nude With Drapery), 1917 1MURAY, NICHOLAS ( livre)

Karl F. Struss   Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the femaleMURAY, NICHOLAS  cf Desha Delteil Performing by Nickolas Muray for Vanity Fair,1921

Karl F. Struss Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the femaleMURAY, NICHOLAS cf Desha Delteil Performing by Nickolas Muray for Vanity Fair,1921 getty.org

Karl Struss -Nudes Kicking,  From the Series, The Female Figure ,1917published in 48 photographs of the female

Karl Struss -Nudes Kicking, From the Series, The Female Figure ,1917published in 48 photographs of the female

Karl F. Struss   Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss   Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss   Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss   Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss   Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss   Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss   Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss - Semi nude with a fan, 1915 From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss – Semi nude with a fan, 1915 From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss - Nude with a fan, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss – Nude with a fan, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss   Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss Untitled, From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl Struss -Nude Kicking,  From the Series, The Female Figure ,1917published in 48 photographs of the female figure

Karl Struss -Nude Kicking, From the Series, The Female Figure ,1917published in 48 photographs of the female figure

Karl Struss -Nude Kicking,  From the Series, The Female Figure ,1917published in 48 photographs of the female figure

Karl Struss -Nude Kicking, From the Series, The Female Figure ,1917published in 48 photographs of the female figure

Karl Struss -Nude Kicking,  From the Series, The Female Figure ,1917published in 48 photographs of the female figure

Karl Struss -Nude Kicking, From the Series, The Female Figure ,1917published in 48 photographs of the female figure

Karl Struss -Nude Walking Like an Egyptian,1917published in 48 photographs of the female

Karl Struss -Nude Walking Like an Egyptian,1917published in 48 photographs of the female

Karl Struss-Untitled,  From the Series, The Female Figure , 1917

Karl Struss-Untitled, From the Series, The Female Figure , 1917 ( format impression individuelle)

Karl F. Struss - Female Figure, First Series #9, - 1915. From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss – Female Figure, First Series #9, – 1915. From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female ( format impression individuelle)

Karl Struss -Nude study c.1917 First Series 9 Plate n 6 From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl Struss -Nude study c.1917 First Series 9 Plate n 6 From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss - Female Figure, First Series #9, Plate #12 - Photograph (Vintage toned silver gelatin print) - 1915.

Karl F. Struss – Female Figure, First Series #9, Plate #12 – Photograph (Vintage toned silver gelatin print) – 1915.

Karl F. Struss - Female Figure, First Series #9,  1915. From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl F. Struss – Female Figure, First Series #9, 1915. From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl Struss-Untitled,  From the Series, The Female Figure , 1917

Karl Struss-Untitled, From the Series, The Female Figure , 1917

Karl Struss- Reclining Nude ,1917 From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Karl Struss- Reclining Nude ,1917 From the Series, The Female Figure , 1917 published in Karl Struss. From 48 photographs of the female

Vous pouvez retrouvez une partie des planches dans un portfolio vendu avec 24 des planches ( ce qui arrivent souvent, des planches manquent…) mais néanmoins, c’est toujours précieux , c’est quand même 1917 Ici   bukowskis.com ( rubrique auctions)    qui avait était venu aux enchères à Stockholm, en Novembre 2011

Karl F. Struss - Self-Portrait, Grand Canyon, nd

Karl F. Struss – Self-Portrait, Grand Canyon, nd

photof-struss-by-clarence-white-1912_e

Struss by Clarence White, 1912

Karl F. Struss -  A Costumed Dancer,  1917

Karl F. Struss – A Costumed Dancer, 1917

Karl Struss- The wave, 1920

Karl Struss- The wave, 1920

Karl Struss -Storm Clouds-192

Karl Struss -Storm Clouds-192

Karl Struss -Dancer -nd

Karl Struss -Dancer -nd

Karl Struss -dance study- 1930

Karl Struss -dance study- 1930

Karl Struss-Standing Nude in Chiffon Draperies- 1915

Karl Struss-Standing Nude in Chiffon Draperies- 1915

Karl F. Struss - Annette.Kellerman.nd

Karl F. Struss – Annette.Kellerman.nd

Karl Struss -Agnes Ayres, 1919-20

Karl Struss -Agnes Ayres, 1919-20

Karl Struss - The Attic Window, Dresden, 1909 -

Karl Struss – The Attic Window, Dresden, 1909

Karl Struss -Rhythm -1921

Karl Struss -Rhythm -1921

Karl F. Struss - Woman And Branch, 1912

Karl F. Struss – Woman And Branch, 1912

Karl F. Struss -  landscape 1910

Karl F. Struss -Woman in Field, 1910

Nickolas Muray -Ann Douglas – Denishawn Dancer

Les planches sont de mauvaises qualités , surexposées, floues. ceux sont les négatifs , ce n’est pas dû à un agrandissement, elles ne l’ont pas étées.

Nickolas Muray -Ann Douglas - Denishawn Dancer 1922

Nickolas Muray -Ann Douglas – Denishawn Dancer 1922

Nickolas Muray -Ann Douglas - Denishawn Dancer 1922

Nickolas Muray -Ann Douglas – Denishawn Dancer 1922

Nickolas Muray -Ann Douglas - Denishawn Dancer 1922

Nickolas Muray -Ann Douglas – Denishawn Dancer 1922

Nickolas Muray -Ann Douglas - Denishawn Dancer,1922

Nickolas Muray -Ann Douglas – Denishawn Dancer,1922

Nickolas Muray -Ann Douglas - Denishawn Dancer,1922.

Nickolas Muray -Ann Douglas – Denishawn Dancer,1922.

Nikolas Muray - Ann Douglas- Denishawn , 1924

Nikolas Muray – Ann Douglas- Denishawn , 1924

Nickolas Muray -Ann Douglas - Denishawn Dancer 1922

Nickolas Muray -Ann Douglas – Denishawn Dancer 1922

Nikolas Muray - Ann Douglas- Denishawn , 1924

Nikolas Muray – Ann Douglas- Denishawn , 1924

Nikolas Muray - Ann Douglas- Denishawn , 1924

Nikolas Muray – Ann Douglas- Denishawn , 1924

Nikolas Muray - Ann Douglas- Denishawn , 1924

Nikolas Muray – Ann Douglas- Denishawn , 1924

Nikolas Muray - Ann Douglas- Denishawn , 1924

Nikolas Muray – Ann Douglas- Denishawn , 1924

Nickolas Muray -Ann Douglas - Denishawn Dancer 1921

Nickolas Muray -Ann Douglas – Denishawn Dancer 1921

source The George Eastman House

John De Mirjian

John de Mirjian. Marguerite Agniel posing in a two-piece costume and matching turban 1929.

John de Mirjian. Marguerite Agniel posing in a two-piece costume and matching turban 1929.

John de Mirjian. Marguerite Agniel posing in a two-piece costume and matching turban 1929.

 »  John De Mirjian The Broadway glamour photographer’s short but brilliant heyday lasted six years, from 1922 until his death in a speeding roadster containing a mysterious woman in 1928. An extravagant personality given to gambling and womanizing, De Mirjian brooked no criticism of his taste or resistance to his desire, throwing temper tantrums during photo shoots if sitters failed to follow his directions.

In February 1927, Olga, his wife of a little over one year, sued for divorce, citing repeated physical abuse and being forced to labor at her husband’s studio round the clock. In her court testimony she revealed that the photographer cleared 25K$ annually, making his one of the most lucrative studios in the city. One reason for his financial success was his arrangement with Earl Carroll, impresario of ‘The Vanities,’ to photograph publicity for his revue, a show that pushed the envelope in the theatrical display of female flesh.

In 1925 De Mirjian became a photographic celebrity when newspapers covered his trial in which actress Louise Brooks sued to stop his distribution of risque photos taken of her in 1923 ( See these photography on the site Here). Brooks in the court claimed that a nude shoot was the publicity price every girl new to Broadway must pay. De Mirjian testified, ‘Have I not photographed a thousand others wearing maybe a shoe, maybe a hat, maybe a shawl. . . and not only the girls of the shows but the women of society as well.’

The bulk of De Mijian’s risque photography appeared on two magazines of the mid-1920s: ART LOVERS and ARTISTS AND MODELS. Modeled on Edwin Bower Hesser’s successful ARTS MONTHLY PICTORIAL begun in 1922, these soft paper monthlies featured shots of semi-nude showgirls in artistic poses.

In 1925 De Mirjian was supplying imagery for both magazines. It is interesting to observe that the Schubert Brothers, who sponsored the annual « Artists and Models » girlie revues on Broadway were rivals of Earl Carroll, De Mirjian’s principle employer. Yet their appreciation of De Mirjian’s mastery of drape shots and nudes overrode their disinclination to patronize an artist in the hire of a rival. Besides showgirls in drapes and society women in stylish dishabille, De Mirjian had a particular talent for ‘two-shots,’ portraits showing the interaction, usually romantic, of two persons. His career ended spectacularly on September 24, 1928, when his Peerless roadster careened off the Jerico turnpike, L. I., going 70 miles an hour. His passenger, a married actress, Mrs. Gloria Christy, survived and told authorities she was his half-sister. She was not.

John’s brother, Arto De Mirjian, who had assisted in the studio, took over the business. He kept it a going concern until 1950, surviving debt proceedings in the early 1930s and a merger with Nasib, the vaudeville and dance photographer shortly thereafter. Arto De Mirjian continued the studio’s documentation of Broadway productions and achievied in portraiture an expertise equal to that of his brother. He remained an active photographer in New York until about 1950 when he sold his archive to the Culver Service, moved to California, and set up a studio in the Hilton Hotel in Los Angeles.  »

Text by David S. Shields found on the marvelous dealer on Ebay grapefruitmoongallery

 

More about John de Mirjan on the site

I beginning with two Photography of Arto de Mirjian

Studio de Mirjian -Photography by Arto de Mirjan (John de Mirjian’s brother)

Studio de Mirjian -Photography by Arto de Mirjan (John de Mirjian's brother) - Miss Cornelia Rogers as mermaid from Flying High George White musical c. 1930

Studio de Mirjian -Photography by Arto de Mirjan (John de Mirjian’s brother) – Miss Cornelia Rogers as mermaid from Flying High George White musical c. 1930

Studio de Mirjian -Photography by Arto de Mirjan (John de Mirjian's brother)-Joan Kent,with pearls In Arthur Hammerstch's musical play, 1930

Studio de Mirjian -Photography by Arto de Mirjan (John de Mirjian’s brother)-Joan Kent,with pearls In Arthur Hammerstch’s musical play, 1930

************

John De Mirjian – Untitled ( woman in stage costume with feather), 1920

John De Mirjian - Nu, 1920

John De Mirjian – Nu, 1920

John De Mirjian - Nu, detail, 1920

John De Mirjian – Nu, detail, 1920

John de Mirjian. Aysa Kass Premiere danseuse in flame of love

Baron (John De Mirjian) - Etude de nu, New York, 1920s.

Baron (John De Mirjian) – Etude de nu, New York, 1920s.

Baron De Mirjian - Nude , 1920s

Baron De Mirjian – Nude , 1920s

Baron De Mirjian - Nude with Long Shawl, 1920s

Baron De Mirjian – Nude with Long Shawl, 1920s

John De Mirjian - ETHEL DALE, 1920s

John De Mirjian – Ethel Dale , 1920s

John De Mirjian - Nu à la dentelle, New York, années 1920

John De Mirjian – Nu à la dentelle, New York, années 1920

John De Mirjian - Louise from the serie boudoir, 1920

John De Mirjian – Louise from the serie boudoir, 1920

John De Mirjian - Mildred Douglas, 1922

John De Mirjian – Mildred Douglas, 1922

John de Mirjian .Veiled Dancer circa 1920 gelatin silver print

Baron De Mirjian - Woman with Feather Costume, 1920

Baron De Mirjian – Woman with Feather Costume, 1920

John De Mirjian- flapper showgirls. 1920s

John De Mirjian- flapper showgirls. 1920s

John De Mirjian- Dancer in topless, 1926

John De Mirjian- Dancer in topless, 1926

John De Mirjian Gay Paree, 1925, dancers,

John De Mirjian Gay Paree, 1925, dancers,

John De Mirjian Geraldine Pratt, 1925-27

John De Mirjian Geraldine Pratt, 1925-27

John De Mirjian - Rose marie Haynes , published in the new Eve, 1926

John De Mirjian – Rose marie Haynes , published in the new Eve, 1926

John De Mirjian - Jean Yoder, 1926.

John De Mirjian – Jean Yoder, 1926.

John De Mirjian - Jean Yoder, 1926.

John De Mirjian – Jean Yoder, 1926.

John De Mirjian - Jean Yoder, 1926.

John De Mirjian – Jean Yoder, 1926.

John De Mirjian Mabelle Swor, 1926

John De Mirjian Mabelle Swor, 1926

 

John De Mirjian Mabelle Swor, 1926

John De Mirjian Mabelle Swor, 1926

John De Mirjian- Allenova Varola, 1922-28 , (Broadway, Manhattan)

John De Mirjian- Allenova Varola, 1922-28 , (Broadway, Manhattan)

 

John De Mirjian Anita Pam, 1928

John De Mirjian  ( probly arto ) Anita Pam, 1928

John De Mirjian Nina Sorel, 1928

Studio De Mirjian (probably Arto) -Nina Sorel, 1928

 

 

MP Verneuil- Etude de nu, 1931, {from Vingt-Quatre études de nu, texte de Jules Romains Paris, Éditions Denoël et Steele, 1931}

MP Verneuil- Etude de nu, 1931, {from Vingt-Quatre études de nu, texte de Jules Romains Paris, Éditions Denoël et Steele, 1931}

Heinrich Eickmann – Akte tree Nudes collotype 1890s

Heinrich Eickmann – Akte tree Nudes collotype 1890s