
Francesco Viscuso- Pandaenium, chapitre II Sogni e Allucinazioni Est-ce qu’il n’y aura pas de pleine lune ce soir- TRITTICO

Francesco Viscuso – PANDAEMONIUM – Photomontage – (accoucher des visions) comme dire voir et être vu, 2012.

Francesca Woodman- Study with fox, 1980
{a unique object, a positive photographic transparency showing The Photographer Posed with a Fox Skin, taped to a handmade postcard, superimposed with the photographer’s return address and the inscription ‘a combination fox tripod carrying case and a girl imitating it’ by the photographer in ink, addressed by her to Lee Witkin in ink and with postage stamp and 3 March 1980 postmark on the reverse} @ mutualart
Walery for A.Noyer ed°- French Nude Snake Dancer, 1910s { French postcard}
![Unkwonw- photomontage [based on photography of alfred cheney johnston, 1920’s]](https://lapetitemelancolie.net/wp-content/uploads/2012/10/tumblr_mcg24xflah1qa0onxo1_1280.jpg?w=549)
Unkwonw- photomontage [based on photography of alfred cheney johnston, 1920’s]
Lucia Joyce ( James Joyce’s daughter)- Bal de Bullier- Paris, 1929. (Lucia Joyce dansant dans un costume fait par elle-même pour une compétition au Bal Bullier à Paris en mai 1929.
Courtesy The Stuart Gilbert Collection, Harry Ransom Center, University of Texas at Austin.Photographe inconnu / but by this serie we can imagine that was Berenice Abbott]

Studio Harcourt- Lucienne Boyer, 1940

Studio Harcourt- Lucienne Boyer, 1940

Brassaï –Les Résilles , 1931-32

Bonnard Pierre- Marthe assise, la main gauche à la nuque, 1900-1901. Jardin de Montval.

Bonnard Pierre- Marthe debout au soleil, Jardin de Montval, lieu-dit de Marly-le-Roi, 1900/ 01

Studio Harcourt Nu féminin, c. 1950.

Man Ray – Portrait of the dancer/ choregrapher Bronislava Nijinska, Paris, circa 1922
Man Ray- Portrait of the dancer- choregrapher Bronislava Nijinska , 1922; November 1922 issue; Courtesy Condé Nast Archive
Man Ray- Portrait of the dancer- choregrapher Bronislava Nijinska , 1922; November 1922 issue; Courtesy Condé Nast Archive
Man Ray – Portrait of the dancer/ choregrapher Bronislava Nijinska, Paris, circa 1922
Helen Tamiris was a pioneer of American modern dance.
American choreographer, modern dancer, and teacher, one of the first to make use of jazz, African American spirituals, and social-protest themes in her work.
« Helen Tamiris (1903-1966), a founder of modern dance in the 1920s and 1930s, always kept a foot firmly planted in the commercial theater. She was trained in ballet at the Metropolitan Opera and by Michel Fokine, as well as in natural dancing at New York’s Isadora Duncan Studio. Her early career combined a soloist position in the Bracale Opera Company with appearances in nightclub and Broadway revues. Yet her first recital in 1927 demonstrated a personal expression of abstract movement and frank social analysis. A year later she adopted the Negro spiritual as a métier for life as conflict. Politically active, Tamiris helped to lead development of the Dance Repertory Theatre and dance initiatives under the Works Progress Administration Federal Art Project. She founded and chaired the American Dance Association and helped to set up the Federal Dance Project. Following World War II, she turned to Broadway to attract large audiences for a modern dance aesthetic that aspired to shape consciousness of the people. Tamiris choreographed eighteen musicals between 1943-1957, artfully integrating dance into such productions as Up in Central Park, Annie Get Your Gun, and Fanny. She taught movement to dancers and actors and formed the Tamiris-Nagrin Dance Workshop in 1957 with Daniel Nagrin, who was her husband at the time. » Helen Tamiris, an essay by Elizabeth McPherson.
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